Spatialisation de l’apparaître : le volume et le rythme
The investigation of spatialization finds its starting point in the notion of “phenomenon” – which is the “appearing” of what appears. The appearing does not appear among the appearing things, it is their appearance – being itself invisible. Everyday, we content ourselves with “seeing” things – seei...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
2011-01-01
|
| Series: | Projets de Paysage |
| Subjects: | |
| Online Access: | https://journals.openedition.org/paysage/21778 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832096004471521280 |
|---|---|
| author | Éliane Escoubas |
| author_facet | Éliane Escoubas |
| author_sort | Éliane Escoubas |
| collection | DOAJ |
| description | The investigation of spatialization finds its starting point in the notion of “phenomenon” – which is the “appearing” of what appears. The appearing does not appear among the appearing things, it is their appearance – being itself invisible. Everyday, we content ourselves with “seeing” things – seeing what is (only art, under its various forms, brings the “appearing” of what is, to the appearance). The appearing turns out to be the “volume”, by its co-genesis with the human body, and in the “rhythm” as a field of tensions in permanent movement. Thus, two philosophers –phenomenologists are summoned: Max Loreau and Henri Maldiney. |
| format | Article |
| id | doaj-art-78e5403e8eab424f92c377fe933c241b |
| institution | Kabale University |
| issn | 1969-6124 |
| language | fra |
| publishDate | 2011-01-01 |
| publisher | Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille |
| record_format | Article |
| series | Projets de Paysage |
| spelling | doaj-art-78e5403e8eab424f92c377fe933c241b2025-02-05T16:21:09ZfraAgrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP LilleProjets de Paysage1969-61242011-01-01510.4000/paysage.21778Spatialisation de l’apparaître : le volume et le rythmeÉliane EscoubasThe investigation of spatialization finds its starting point in the notion of “phenomenon” – which is the “appearing” of what appears. The appearing does not appear among the appearing things, it is their appearance – being itself invisible. Everyday, we content ourselves with “seeing” things – seeing what is (only art, under its various forms, brings the “appearing” of what is, to the appearance). The appearing turns out to be the “volume”, by its co-genesis with the human body, and in the “rhythm” as a field of tensions in permanent movement. Thus, two philosophers –phenomenologists are summoned: Max Loreau and Henri Maldiney.https://journals.openedition.org/paysage/21778rhythmMax MoreauHenri Maldineyto appear |
| spellingShingle | Éliane Escoubas Spatialisation de l’apparaître : le volume et le rythme Projets de Paysage rhythm Max Moreau Henri Maldiney to appear |
| title | Spatialisation de l’apparaître : le volume et le rythme |
| title_full | Spatialisation de l’apparaître : le volume et le rythme |
| title_fullStr | Spatialisation de l’apparaître : le volume et le rythme |
| title_full_unstemmed | Spatialisation de l’apparaître : le volume et le rythme |
| title_short | Spatialisation de l’apparaître : le volume et le rythme |
| title_sort | spatialisation de l apparaitre le volume et le rythme |
| topic | rhythm Max Moreau Henri Maldiney to appear |
| url | https://journals.openedition.org/paysage/21778 |
| work_keys_str_mv | AT elianeescoubas spatialisationdelapparaitrelevolumeetlerythme |