Spatialisation de l’apparaître : le volume et le rythme
The investigation of spatialization finds its starting point in the notion of “phenomenon” – which is the “appearing” of what appears. The appearing does not appear among the appearing things, it is their appearance – being itself invisible. Everyday, we content ourselves with “seeing” things – seei...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
2011-01-01
|
| Series: | Projets de Paysage |
| Subjects: | |
| Online Access: | https://journals.openedition.org/paysage/21778 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | The investigation of spatialization finds its starting point in the notion of “phenomenon” – which is the “appearing” of what appears. The appearing does not appear among the appearing things, it is their appearance – being itself invisible. Everyday, we content ourselves with “seeing” things – seeing what is (only art, under its various forms, brings the “appearing” of what is, to the appearance). The appearing turns out to be the “volume”, by its co-genesis with the human body, and in the “rhythm” as a field of tensions in permanent movement. Thus, two philosophers –phenomenologists are summoned: Max Loreau and Henri Maldiney. |
|---|---|
| ISSN: | 1969-6124 |