D’imagier à ymaginero : la présence de sculpteurs septentrionaux en Espagne aux xve-xvie siècles
Renaissance sculpture in Spain welcomes an important migration flow of carvers from northern countries, mainly from France ; most of them settle down in the former Kingdom of Castile. Despite this trend starting in the Middle Ages, it is along the 16th century when this stream is more numerous. Not...
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Format: | Article |
Language: | fra |
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Centre d'Études Médievales Auxerre
2017-03-01
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Series: | Bulletin du Centre d’Études Médiévales d’Auxerre |
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Online Access: | https://journals.openedition.org/cem/14535 |
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author | María Teresa Rodríguez Bote |
author_facet | María Teresa Rodríguez Bote |
author_sort | María Teresa Rodríguez Bote |
collection | DOAJ |
description | Renaissance sculpture in Spain welcomes an important migration flow of carvers from northern countries, mainly from France ; most of them settle down in the former Kingdom of Castile. Despite this trend starting in the Middle Ages, it is along the 16th century when this stream is more numerous. Not only have they played an important role in the introduction of Italian-style ornamental items, but also opened their own workshops, where new apprentices were taught. Many of these foreign carvers enjoyed a solid professional reputation and developed a highly successful career. |
format | Article |
id | doaj-art-78717c4cc2da4b918ee2b0a1411fc990 |
institution | Kabale University |
issn | 1623-5770 1954-3093 |
language | fra |
publishDate | 2017-03-01 |
publisher | Centre d'Études Médievales Auxerre |
record_format | Article |
series | Bulletin du Centre d’Études Médiévales d’Auxerre |
spelling | doaj-art-78717c4cc2da4b918ee2b0a1411fc9902025-01-30T11:13:09ZfraCentre d'Études Médievales AuxerreBulletin du Centre d’Études Médiévales d’Auxerre1623-57701954-30932017-03-0120210.4000/cem.14535D’imagier à ymaginero : la présence de sculpteurs septentrionaux en Espagne aux xve-xvie sièclesMaría Teresa Rodríguez BoteRenaissance sculpture in Spain welcomes an important migration flow of carvers from northern countries, mainly from France ; most of them settle down in the former Kingdom of Castile. Despite this trend starting in the Middle Ages, it is along the 16th century when this stream is more numerous. Not only have they played an important role in the introduction of Italian-style ornamental items, but also opened their own workshops, where new apprentices were taught. Many of these foreign carvers enjoyed a solid professional reputation and developed a highly successful career.https://journals.openedition.org/cem/14535sculpturemobility15th-16th centuriesworkshophuchiers |
spellingShingle | María Teresa Rodríguez Bote D’imagier à ymaginero : la présence de sculpteurs septentrionaux en Espagne aux xve-xvie siècles Bulletin du Centre d’Études Médiévales d’Auxerre sculpture mobility 15th-16th centuries workshop huchiers |
title | D’imagier à ymaginero : la présence de sculpteurs septentrionaux en Espagne aux xve-xvie siècles |
title_full | D’imagier à ymaginero : la présence de sculpteurs septentrionaux en Espagne aux xve-xvie siècles |
title_fullStr | D’imagier à ymaginero : la présence de sculpteurs septentrionaux en Espagne aux xve-xvie siècles |
title_full_unstemmed | D’imagier à ymaginero : la présence de sculpteurs septentrionaux en Espagne aux xve-xvie siècles |
title_short | D’imagier à ymaginero : la présence de sculpteurs septentrionaux en Espagne aux xve-xvie siècles |
title_sort | d imagier a ymaginero la presence de sculpteurs septentrionaux en espagne aux xve xvie siecles |
topic | sculpture mobility 15th-16th centuries workshop huchiers |
url | https://journals.openedition.org/cem/14535 |
work_keys_str_mv | AT mariateresarodriguezbote dimagieraymaginerolapresencedesculpteursseptentrionauxenespagneauxxvexviesiecles |