Inspired by Kabuki: Reflections on a Theatrical Experiment with Wilde’s Salomé
The article first considers the appropriateness of kabuki-inspired stylizations for performance of Wilde’s spectacularly non-realistic play, while stressing what a Japanese kabuki audience would expect that could not be replicated outside of the context of such a knowing audience. The stage space de...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Presses Universitaires de la Méditerranée
2010-12-01
|
| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/2736 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | The article first considers the appropriateness of kabuki-inspired stylizations for performance of Wilde’s spectacularly non-realistic play, while stressing what a Japanese kabuki audience would expect that could not be replicated outside of the context of such a knowing audience. The stage space devised for this production is described as a rejection of the illusionism of 3D perspective, and the use of gestures and overall rhythmic dynamics as a fusion of Wildean and kabuki aesthetics, not entirely either. Finally, attention turns to the important kabuki sub-genre of “raw domestic” plays, where the downright sordid is rendered with an eerie beauty; this closing section dwells on the clashing sign-systems through which the play’s disturbing erotics (familial and other) are projected. |
|---|---|
| ISSN: | 0220-5610 2271-6149 |