« Faire clair et vif avec des éléments complexes »

In the novel Salammbô and the short story Hérodias, Flaubert turns to pre-Christian antiquity in order to present modernity its complexity, its entwinement in religious and historiographical discourses of power, in a « clair et vif » manner. In Salammbô, Flaubert re-writes the story of salvation. In...

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Main Author: Cordula Reichart
Format: Article
Language:fra
Published: Institut des Textes & Manuscrits Modernes (ITEM) 2010-12-01
Series:Flaubert: Revue Critique et Génétique
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Online Access:https://journals.openedition.org/flaubert/1227
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author Cordula Reichart
author_facet Cordula Reichart
author_sort Cordula Reichart
collection DOAJ
description In the novel Salammbô and the short story Hérodias, Flaubert turns to pre-Christian antiquity in order to present modernity its complexity, its entwinement in religious and historiographical discourses of power, in a « clair et vif » manner. In Salammbô, Flaubert re-writes the story of salvation. In Salammbô’s name, Flaubert construes the origin of a figure which is actually linked to Christian Rome as the ancient story of Carthage. In Hérodias, Flaubert takes up the triumph of the Orient as proclaimed by Renan and feared by the Catholic Church. This danger is realized in the figure of Hérodias and averted by the decapitation of John the Baptist. In its perverted relationship to the historical texts of reference, Hérodias unmasks the claim to supremacy of the rising clerical model of power, while the translatio of the Roman Empire gets radicalized in the figure of Aulus. Aulus can be read performatively as beginning and foundation of the French story of salvation as a Roman story of perversion.
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institution Kabale University
issn 1969-6191
language fra
publishDate 2010-12-01
publisher Institut des Textes & Manuscrits Modernes (ITEM)
record_format Article
series Flaubert: Revue Critique et Génétique
spelling doaj-art-7520b8cbabec481995abd32c9c41a2932025-02-05T16:29:32ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912010-12-01410.4000/flaubert.1227« Faire clair et vif avec des éléments complexes »Cordula ReichartIn the novel Salammbô and the short story Hérodias, Flaubert turns to pre-Christian antiquity in order to present modernity its complexity, its entwinement in religious and historiographical discourses of power, in a « clair et vif » manner. In Salammbô, Flaubert re-writes the story of salvation. In Salammbô’s name, Flaubert construes the origin of a figure which is actually linked to Christian Rome as the ancient story of Carthage. In Hérodias, Flaubert takes up the triumph of the Orient as proclaimed by Renan and feared by the Catholic Church. This danger is realized in the figure of Hérodias and averted by the decapitation of John the Baptist. In its perverted relationship to the historical texts of reference, Hérodias unmasks the claim to supremacy of the rising clerical model of power, while the translatio of the Roman Empire gets radicalized in the figure of Aulus. Aulus can be read performatively as beginning and foundation of the French story of salvation as a Roman story of perversion.https://journals.openedition.org/flaubert/1227Flaubert GustaveSalammbôHerodiasreligionrewrittingsalvation
spellingShingle Cordula Reichart
« Faire clair et vif avec des éléments complexes »
Flaubert: Revue Critique et Génétique
Flaubert Gustave
Salammbô
Herodias
religion
rewritting
salvation
title « Faire clair et vif avec des éléments complexes »
title_full « Faire clair et vif avec des éléments complexes »
title_fullStr « Faire clair et vif avec des éléments complexes »
title_full_unstemmed « Faire clair et vif avec des éléments complexes »
title_short « Faire clair et vif avec des éléments complexes »
title_sort faire clair et vif avec des elements complexes
topic Flaubert Gustave
Salammbô
Herodias
religion
rewritting
salvation
url https://journals.openedition.org/flaubert/1227
work_keys_str_mv AT cordulareichart faireclairetvifavecdeselementscomplexes