The Boundaries of Ethics – Art without Boundaries

Interdisciplinary knowledge exchange and new techniques as well as general technical and environmental developments prompt to review conservation ethics. Contemporary artworks show the state of the now in a paradigmatically aesthetic way which is documented by some examples and quotes. Findings in t...

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Main Author: Hiltrud Schinzel
Format: Article
Language:English
Published: Association CeROArt 2020-01-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/6737
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author Hiltrud Schinzel
author_facet Hiltrud Schinzel
author_sort Hiltrud Schinzel
collection DOAJ
description Interdisciplinary knowledge exchange and new techniques as well as general technical and environmental developments prompt to review conservation ethics. Contemporary artworks show the state of the now in a paradigmatically aesthetic way which is documented by some examples and quotes. Findings in the sciences and humanities – neurosciences in focus – are named concerning the perception of art by the protagonists: artist, conservator, art-teacher/promoter and viewer. They document that it is relevant to modify conservation’s function according to human biological conditions including basic human needs. Some topical aspects are described paradigmatically by some characteristics of the material wood and its artistic use in different cultural and temporal settings. Wood - as any material presented by cultural artefacts - transports aesthetic knowledge that can stimulate and foster awareness and empathy, e.g. now, while climate changes, concerning nature.
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institution Kabale University
issn 1784-5092
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publisher Association CeROArt
record_format Article
series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-75034f000c1c4ea1b8a5a69ee2e547782025-01-30T14:14:05ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922020-01-011110.4000/ceroart.6737The Boundaries of Ethics – Art without BoundariesHiltrud SchinzelInterdisciplinary knowledge exchange and new techniques as well as general technical and environmental developments prompt to review conservation ethics. Contemporary artworks show the state of the now in a paradigmatically aesthetic way which is documented by some examples and quotes. Findings in the sciences and humanities – neurosciences in focus – are named concerning the perception of art by the protagonists: artist, conservator, art-teacher/promoter and viewer. They document that it is relevant to modify conservation’s function according to human biological conditions including basic human needs. Some topical aspects are described paradigmatically by some characteristics of the material wood and its artistic use in different cultural and temporal settings. Wood - as any material presented by cultural artefacts - transports aesthetic knowledge that can stimulate and foster awareness and empathy, e.g. now, while climate changes, concerning nature.https://journals.openedition.org/ceroart/6737restorationconservationaestheticethics
spellingShingle Hiltrud Schinzel
The Boundaries of Ethics – Art without Boundaries
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
restoration
conservation
aesthetic
ethics
title The Boundaries of Ethics – Art without Boundaries
title_full The Boundaries of Ethics – Art without Boundaries
title_fullStr The Boundaries of Ethics – Art without Boundaries
title_full_unstemmed The Boundaries of Ethics – Art without Boundaries
title_short The Boundaries of Ethics – Art without Boundaries
title_sort boundaries of ethics art without boundaries
topic restoration
conservation
aesthetic
ethics
url https://journals.openedition.org/ceroart/6737
work_keys_str_mv AT hiltrudschinzel theboundariesofethicsartwithoutboundaries
AT hiltrudschinzel boundariesofethicsartwithoutboundaries