Les peintures mates d’Antoine Wiertz (1806-1865)
Faced with the works of Antoine Wiertz, a question arises: Is the washed-out and mat appearance of some of his paintings an artistic intent, or a consequence of alteration. Painted with a technique developed by the artist to achieve a matt appearance, these works are in fact subject to a slow degrad...
Saved in:
Main Author: | Karine Janssen |
---|---|
Format: | Article |
Language: | English |
Published: |
Association CeROArt
2012-06-01
|
Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
Subjects: | |
Online Access: | https://journals.openedition.org/ceroart/2659 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Les peintures murales du château de Streversdorp à Montzen
by: José Vetro
Published: (2014-01-01) -
Les tüchlein et les succhi d’erba
by: Aurélie Minet
Published: (2010-11-01) -
Caractérisation physico-chimique de pigments de peintures murales mochica : San José de Moro (viiie-xe siècles apr. J.-C.)
by: Nicola Sardos, et al.
Published: (2017-06-01) -
An illustrated key for identification of colour aberrations in alcids with a revision of nomenclature used
by: K. Cieślińska, et al.
Published: (2025-12-01) -
SEM-EDX Pigment Analysis and Multi-Analytical Study of the Ground and Paint layers of Francesco Fedrigazzi's painting from Kostanje
by: Jelena Zagora
Published: (2013-05-01)