De quelle nostalgie l’utopie andalouse d’Aragon est-elle le miroir ?

Le Fou d’Elsa, a narrative poem published by Louis Aragon in 1963, tells the story of the end of the emirate of Granada in 1492. The representation of a dreamed Andalusia allows the writer, who is also a communist leader and ideologue, to deliver an indirect speech about the history of his time, mai...

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Main Author: Stéphane Baquey
Format: Article
Language:deu
Published: Conserveries Mémorielles 2018-06-01
Series:Conserveries Mémorielles
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Online Access:https://journals.openedition.org/cm/2795
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author Stéphane Baquey
author_facet Stéphane Baquey
author_sort Stéphane Baquey
collection DOAJ
description Le Fou d’Elsa, a narrative poem published by Louis Aragon in 1963, tells the story of the end of the emirate of Granada in 1492. The representation of a dreamed Andalusia allows the writer, who is also a communist leader and ideologue, to deliver an indirect speech about the history of his time, mainly about the consequences of the 20th Congress of the Communist Party of the Soviet Union and about the Algerian War. This strategy of allusive speech leads the study to try to find out the contextual relevance of the poem on the basis of a collation of different speech genres, between the poem itself and other Aragon’s public utterances. Thus, in Le Fou d’Elsa, the strategy of allusive speech allows shifts which re-qualify the status of utopia and nostalgia in a speech unleashed form orthodox communism. This nostalgia of what could have happened, being dislocated in the culture of the Muslim worlds, also leads to reconceive the claims of a universalism which would not take into account as a prerequisite a principle of hospitality.
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issn 1718-5556
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spelling doaj-art-70bf5d62ab2a467ab8af393e1209cc072025-02-05T16:16:41ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562018-06-01De quelle nostalgie l’utopie andalouse d’Aragon est-elle le miroir ?Stéphane BaqueyLe Fou d’Elsa, a narrative poem published by Louis Aragon in 1963, tells the story of the end of the emirate of Granada in 1492. The representation of a dreamed Andalusia allows the writer, who is also a communist leader and ideologue, to deliver an indirect speech about the history of his time, mainly about the consequences of the 20th Congress of the Communist Party of the Soviet Union and about the Algerian War. This strategy of allusive speech leads the study to try to find out the contextual relevance of the poem on the basis of a collation of different speech genres, between the poem itself and other Aragon’s public utterances. Thus, in Le Fou d’Elsa, the strategy of allusive speech allows shifts which re-qualify the status of utopia and nostalgia in a speech unleashed form orthodox communism. This nostalgia of what could have happened, being dislocated in the culture of the Muslim worlds, also leads to reconceive the claims of a universalism which would not take into account as a prerequisite a principle of hospitality.https://journals.openedition.org/cm/2795poésieLouis Aragonanalyse de discoursmythe andaloumarxismeorientalisme
spellingShingle Stéphane Baquey
De quelle nostalgie l’utopie andalouse d’Aragon est-elle le miroir ?
Conserveries Mémorielles
poésie
Louis Aragon
analyse de discours
mythe andalou
marxisme
orientalisme
title De quelle nostalgie l’utopie andalouse d’Aragon est-elle le miroir ?
title_full De quelle nostalgie l’utopie andalouse d’Aragon est-elle le miroir ?
title_fullStr De quelle nostalgie l’utopie andalouse d’Aragon est-elle le miroir ?
title_full_unstemmed De quelle nostalgie l’utopie andalouse d’Aragon est-elle le miroir ?
title_short De quelle nostalgie l’utopie andalouse d’Aragon est-elle le miroir ?
title_sort de quelle nostalgie l utopie andalouse d aragon est elle le miroir
topic poésie
Louis Aragon
analyse de discours
mythe andalou
marxisme
orientalisme
url https://journals.openedition.org/cm/2795
work_keys_str_mv AT stephanebaquey dequellenostalgielutopieandalousedaragonestellelemiroir