La Vénus Jōmon, grande oubliée du panthéon des arts japonais ?
The Jōmon Venus (3500–2400 BCE), a dogū (anthropomorphic clay figurine), is an emblematic work from the Jōmon period (14,000–1st millennium BCE) discovered not far from Nagano in central Japan less than forty years ago. Since then, its significance has changed dramatically: sometimes adored and cele...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2021-12-01
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| Series: | Les Cahiers de l'École du Louvre |
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| Online Access: | https://journals.openedition.org/cel/34779 |
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| _version_ | 1832578432854130688 |
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| author | Chloé-Alizée Clément |
| author_facet | Chloé-Alizée Clément |
| author_sort | Chloé-Alizée Clément |
| collection | DOAJ |
| description | The Jōmon Venus (3500–2400 BCE), a dogū (anthropomorphic clay figurine), is an emblematic work from the Jōmon period (14,000–1st millennium BCE) discovered not far from Nagano in central Japan less than forty years ago. Since then, its significance has changed dramatically: sometimes adored and celebrated, sometimes neglected and forgotten, the Jōmon Venus has had a huge impact in the context of the rise of the Nihonjinron historical school. Its history bears witness to the changes in Japanese cultural policies and identity since the 1980s. |
| format | Article |
| id | doaj-art-70aea2fbf36d4cf4bb315e6e40f22d61 |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2021-12-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-70aea2fbf36d4cf4bb315e6e40f22d612025-01-30T14:00:23ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2021-12-012310.4000/12ydlLa Vénus Jōmon, grande oubliée du panthéon des arts japonais ?Chloé-Alizée ClémentThe Jōmon Venus (3500–2400 BCE), a dogū (anthropomorphic clay figurine), is an emblematic work from the Jōmon period (14,000–1st millennium BCE) discovered not far from Nagano in central Japan less than forty years ago. Since then, its significance has changed dramatically: sometimes adored and celebrated, sometimes neglected and forgotten, the Jōmon Venus has had a huge impact in the context of the rise of the Nihonjinron historical school. Its history bears witness to the changes in Japanese cultural policies and identity since the 1980s.https://journals.openedition.org/cel/34779exhibitionsJapanese archaeologycultural policiesnational identityFranco-Japanese relationsJōmon Venus |
| spellingShingle | Chloé-Alizée Clément La Vénus Jōmon, grande oubliée du panthéon des arts japonais ? Les Cahiers de l'École du Louvre exhibitions Japanese archaeology cultural policies national identity Franco-Japanese relations Jōmon Venus |
| title | La Vénus Jōmon, grande oubliée du panthéon des arts japonais ? |
| title_full | La Vénus Jōmon, grande oubliée du panthéon des arts japonais ? |
| title_fullStr | La Vénus Jōmon, grande oubliée du panthéon des arts japonais ? |
| title_full_unstemmed | La Vénus Jōmon, grande oubliée du panthéon des arts japonais ? |
| title_short | La Vénus Jōmon, grande oubliée du panthéon des arts japonais ? |
| title_sort | la venus jomon grande oubliee du pantheon des arts japonais |
| topic | exhibitions Japanese archaeology cultural policies national identity Franco-Japanese relations Jōmon Venus |
| url | https://journals.openedition.org/cel/34779 |
| work_keys_str_mv | AT chloealizeeclement lavenusjomongrandeoublieedupantheondesartsjaponais |