Shakespeare en prison : le cas d’Avignon

This essay offers to explore the structural link between three historical counter-spaces : prison, Shakespeare’s Elizabethan public theatre and the Avignon Festival. It will first deal with the decisive encounter of Shakespeare’s drama with prison in Avignon’s Papal Palace in 1947 – an encounter tha...

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Main Author: Florence March
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2022-01-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/12262
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author Florence March
author_facet Florence March
author_sort Florence March
collection DOAJ
description This essay offers to explore the structural link between three historical counter-spaces : prison, Shakespeare’s Elizabethan public theatre and the Avignon Festival. It will first deal with the decisive encounter of Shakespeare’s drama with prison in Avignon’s Papal Palace in 1947 – an encounter that acts as a catalyst for the festival’s ethos and aesthetics. The focus will then shift to the festival’s partnership with Le Pontet penitentiary. Launched in 2004 by Hortense Archambault and Vincent Baudriller, it was continued and developed by Olivier Py, who founded a theatre workshop for the inmates. By doing so, he re-engaged with the festival’s ethos, which promoted democratic theatre as a source of social cohesion in the aftermath of the Second World War. As in 1947, Shakespeare plays a major role in implementing the festival’s sociopolitical and artistic project with Le Pontet penitentiary. In this programme, which, just like the festival, foregrounds Shakespeare as the most often performed playwright, prison becomes a laboratory for theatre, and for Shakespeare’s drama in particular, whereas Shakespeare in his turn becomes a laboratory for revisiting the prison system.
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language English
publishDate 2022-01-01
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spelling doaj-art-6f86cd6705d641ae8141e96af6438a912025-01-30T13:47:11ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022022-01-013110.4000/sillagescritiques.12262Shakespeare en prison : le cas d’AvignonFlorence MarchThis essay offers to explore the structural link between three historical counter-spaces : prison, Shakespeare’s Elizabethan public theatre and the Avignon Festival. It will first deal with the decisive encounter of Shakespeare’s drama with prison in Avignon’s Papal Palace in 1947 – an encounter that acts as a catalyst for the festival’s ethos and aesthetics. The focus will then shift to the festival’s partnership with Le Pontet penitentiary. Launched in 2004 by Hortense Archambault and Vincent Baudriller, it was continued and developed by Olivier Py, who founded a theatre workshop for the inmates. By doing so, he re-engaged with the festival’s ethos, which promoted democratic theatre as a source of social cohesion in the aftermath of the Second World War. As in 1947, Shakespeare plays a major role in implementing the festival’s sociopolitical and artistic project with Le Pontet penitentiary. In this programme, which, just like the festival, foregrounds Shakespeare as the most often performed playwright, prison becomes a laboratory for theatre, and for Shakespeare’s drama in particular, whereas Shakespeare in his turn becomes a laboratory for revisiting the prison system.https://journals.openedition.org/sillagescritiques/12262Avignon FestivalShakespeare (William)Le Pontet penitentiarydemocratic theatrecitizenship
spellingShingle Florence March
Shakespeare en prison : le cas d’Avignon
Sillages Critiques
Avignon Festival
Shakespeare (William)
Le Pontet penitentiary
democratic theatre
citizenship
title Shakespeare en prison : le cas d’Avignon
title_full Shakespeare en prison : le cas d’Avignon
title_fullStr Shakespeare en prison : le cas d’Avignon
title_full_unstemmed Shakespeare en prison : le cas d’Avignon
title_short Shakespeare en prison : le cas d’Avignon
title_sort shakespeare en prison le cas d avignon
topic Avignon Festival
Shakespeare (William)
Le Pontet penitentiary
democratic theatre
citizenship
url https://journals.openedition.org/sillagescritiques/12262
work_keys_str_mv AT florencemarch shakespeareenprisonlecasdavignon