Social Iconotext: the Stoics’ Club in John Galsworthy’s The Country House (1907)
The aim of this article is to describe Galsworthy’s use of visual writing and its relation to irony and social satire. It shows the importance of the club as habitus (Bourdieu), both real and metaphorical. In reference to Hamon’s concept of technème, it studies the importance and symbolic meanings o...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2015-06-01
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| Series: | Cahiers Victoriens et Edouardiens |
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| Online Access: | https://journals.openedition.org/cve/1994 |
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| author | Maxime Leroy |
| author_facet | Maxime Leroy |
| author_sort | Maxime Leroy |
| collection | DOAJ |
| description | The aim of this article is to describe Galsworthy’s use of visual writing and its relation to irony and social satire. It shows the importance of the club as habitus (Bourdieu), both real and metaphorical. In reference to Hamon’s concept of technème, it studies the importance and symbolic meanings of the club’s windows and doors. It presents the hypothesis that pictorial framing is a central trope put forward by the narrator as a key to reading the whole novel. |
| format | Article |
| id | doaj-art-6e78b06be93c4085af60e5c9aa920515 |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2015-06-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-6e78b06be93c4085af60e5c9aa9205152025-01-30T10:21:55ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492015-06-018110.4000/cve.1994Social Iconotext: the Stoics’ Club in John Galsworthy’s The Country House (1907)Maxime LeroyThe aim of this article is to describe Galsworthy’s use of visual writing and its relation to irony and social satire. It shows the importance of the club as habitus (Bourdieu), both real and metaphorical. In reference to Hamon’s concept of technème, it studies the importance and symbolic meanings of the club’s windows and doors. It presents the hypothesis that pictorial framing is a central trope put forward by the narrator as a key to reading the whole novel.https://journals.openedition.org/cve/1994Galsworthy (John)iconotexthabitussatiretechneme |
| spellingShingle | Maxime Leroy Social Iconotext: the Stoics’ Club in John Galsworthy’s The Country House (1907) Cahiers Victoriens et Edouardiens Galsworthy (John) iconotext habitus satire techneme |
| title | Social Iconotext: the Stoics’ Club in John Galsworthy’s The Country House (1907) |
| title_full | Social Iconotext: the Stoics’ Club in John Galsworthy’s The Country House (1907) |
| title_fullStr | Social Iconotext: the Stoics’ Club in John Galsworthy’s The Country House (1907) |
| title_full_unstemmed | Social Iconotext: the Stoics’ Club in John Galsworthy’s The Country House (1907) |
| title_short | Social Iconotext: the Stoics’ Club in John Galsworthy’s The Country House (1907) |
| title_sort | social iconotext the stoics club in john galsworthy s the country house 1907 |
| topic | Galsworthy (John) iconotext habitus satire techneme |
| url | https://journals.openedition.org/cve/1994 |
| work_keys_str_mv | AT maximeleroy socialiconotextthestoicsclubinjohngalsworthysthecountryhouse1907 |