The role of repeatition in establishing the internal rhythm for poetry. Poetries of Ameen Botany as model

     Rhythm is considered as one of the most basic compoments of forming. A Poetic text, because there might be Poetic text without a rhythm and meter but there is not a Poetic text without rhythm. We mean by that the internal rhythm, which is related to the psycholgoic state and feelings of a Poet...

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Bibliographic Details
Main Authors: Salar Ahmed Fakhri, Mohammed Bakir Mohammed
Format: Article
Language:Arabic
Published: Salahaddin University-Erbil 2023-04-01
Series:Zanco Journal of Humanity Sciences
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Online Access:https://zancojournal.su.edu.krd/index.php/JAHS/article/view/446
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Summary:     Rhythm is considered as one of the most basic compoments of forming. A Poetic text, because there might be Poetic text without a rhythm and meter but there is not a Poetic text without rhythm. We mean by that the internal rhythm, which is related to the psycholgoic state and feelings of a Poet. And the internal rhythm in the modern Poetic texts is as an alternative for the external rhythm. The Poem can give a nice tune to their texts through internal rhthym.  One of the most important phenomena of the internal rhythm is repeatition. Therefore repeatition is considered as one of the most basic Pillars of forming musical Poems. This can be easily seen in the modern Kuridsh Poetic texts. Ameen Botany is a modern Kurdish Poet. And his texts played a fundamental role in forming the ineternal rhthym and musical dimension in his Poems. His Poetic language is full of repeatition phenomena. And he enriched the interenal rhythm of the Poem by the repeation phenomena. His Poetical  Works (Halbast) Which was Printed recently become an apllied model for this research.
ISSN:2412-396X