‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance
To pursue the theme of soundscape (to use Murray Schafer’s term) in George Eliot’s Janet’s Repentance, this paper will successively address more specific topics: the forms of sound representations, the sound as an articulation of the social, the affinity of sound and sympathetic resonance. It will a...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2021-10-01
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| Series: | Cahiers Victoriens et Edouardiens |
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| Online Access: | https://journals.openedition.org/cve/9618 |
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| author | Lilia Miroshnychenko |
| author_facet | Lilia Miroshnychenko |
| author_sort | Lilia Miroshnychenko |
| collection | DOAJ |
| description | To pursue the theme of soundscape (to use Murray Schafer’s term) in George Eliot’s Janet’s Repentance, this paper will successively address more specific topics: the forms of sound representations, the sound as an articulation of the social, the affinity of sound and sympathetic resonance. It will also look at how critical hearing and speaking are to the crafting of the narrative and characterisation. |
| format | Article |
| id | doaj-art-6daff672de2f47649c1b9bb7202b0def |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2021-10-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-6daff672de2f47649c1b9bb7202b0def2025-01-30T10:21:11ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492021-10-019410.4000/cve.9618‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s RepentanceLilia MiroshnychenkoTo pursue the theme of soundscape (to use Murray Schafer’s term) in George Eliot’s Janet’s Repentance, this paper will successively address more specific topics: the forms of sound representations, the sound as an articulation of the social, the affinity of sound and sympathetic resonance. It will also look at how critical hearing and speaking are to the crafting of the narrative and characterisation.https://journals.openedition.org/cve/9618Eliot (George)soundscapeJanet’s Repentancesonic signaturesauricularisationsonic landscape |
| spellingShingle | Lilia Miroshnychenko ‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance Cahiers Victoriens et Edouardiens Eliot (George) soundscape Janet’s Repentance sonic signatures auricularisation sonic landscape |
| title | ‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance |
| title_full | ‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance |
| title_fullStr | ‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance |
| title_full_unstemmed | ‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance |
| title_short | ‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance |
| title_sort | e very word he says to me enters my heart and has a new meaning for me the soundscape in george eliot s janet s repentance |
| topic | Eliot (George) soundscape Janet’s Repentance sonic signatures auricularisation sonic landscape |
| url | https://journals.openedition.org/cve/9618 |
| work_keys_str_mv | AT liliamiroshnychenko everywordhesaystomeentersmyheartandhasanewmeaningformethesoundscapeingeorgeeliotsjanetsrepentance |