Le Remix comme forme littéraire : essai sur les publications récentes de Caroline Bergvall

Recent publications by poet and artist Caroline Bergvall shift the old paradigm of both the poetry collection and the book-poem. This shift can be analyzed with the notion of “remix” that Lev Manovich uses to characterize new media. Bergvall’s recent books (Meddle English and Drift) are remixes in t...

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Main Author: Vincent Broqua
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2022-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/13818
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author Vincent Broqua
author_facet Vincent Broqua
author_sort Vincent Broqua
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description Recent publications by poet and artist Caroline Bergvall shift the old paradigm of both the poetry collection and the book-poem. This shift can be analyzed with the notion of “remix” that Lev Manovich uses to characterize new media. Bergvall’s recent books (Meddle English and Drift) are remixes in terms of their structure, of their individual texts, but above all in terms of their remediation as podcasts, performances, shows, printed material. They anticipate the “remixability” of her most recent projects subsumed under the title Sonic Atlas. But Bergvall’s remixability is not formal or technological, it is a poetics and a politics of multiplicity that seeks to define how to live together now.
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spelling doaj-art-6d9a376994ea40ed88fd054a957e681c2025-01-30T13:47:46ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022022-12-013310.4000/sillagescritiques.13818Le Remix comme forme littéraire : essai sur les publications récentes de Caroline BergvallVincent BroquaRecent publications by poet and artist Caroline Bergvall shift the old paradigm of both the poetry collection and the book-poem. This shift can be analyzed with the notion of “remix” that Lev Manovich uses to characterize new media. Bergvall’s recent books (Meddle English and Drift) are remixes in terms of their structure, of their individual texts, but above all in terms of their remediation as podcasts, performances, shows, printed material. They anticipate the “remixability” of her most recent projects subsumed under the title Sonic Atlas. But Bergvall’s remixability is not formal or technological, it is a poetics and a politics of multiplicity that seeks to define how to live together now.https://journals.openedition.org/sillagescritiques/13818performancepoetryartBergvall (Caroline)poetry collectionremix
spellingShingle Vincent Broqua
Le Remix comme forme littéraire : essai sur les publications récentes de Caroline Bergvall
Sillages Critiques
performance
poetry
art
Bergvall (Caroline)
poetry collection
remix
title Le Remix comme forme littéraire : essai sur les publications récentes de Caroline Bergvall
title_full Le Remix comme forme littéraire : essai sur les publications récentes de Caroline Bergvall
title_fullStr Le Remix comme forme littéraire : essai sur les publications récentes de Caroline Bergvall
title_full_unstemmed Le Remix comme forme littéraire : essai sur les publications récentes de Caroline Bergvall
title_short Le Remix comme forme littéraire : essai sur les publications récentes de Caroline Bergvall
title_sort le remix comme forme litteraire essai sur les publications recentes de caroline bergvall
topic performance
poetry
art
Bergvall (Caroline)
poetry collection
remix
url https://journals.openedition.org/sillagescritiques/13818
work_keys_str_mv AT vincentbroqua leremixcommeformelitteraireessaisurlespublicationsrecentesdecarolinebergvall