B.S. Johnson ou l’équilibre de l’écart

This paper proposes to examine the apparent contradiction in B.S. Johnson’s novels between, on the one hand, the defamiliarisation of devices so as to lay bare all fictional effects and underline the distance between the referent and its graphic inscription, and on the other hand, the implementation...

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Main Author: Vanessa Guignery
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2011-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/2237
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author Vanessa Guignery
author_facet Vanessa Guignery
author_sort Vanessa Guignery
collection DOAJ
description This paper proposes to examine the apparent contradiction in B.S. Johnson’s novels between, on the one hand, the defamiliarisation of devices so as to lay bare all fictional effects and underline the distance between the referent and its graphic inscription, and on the other hand, the implementation of innovative formal strategies meant to reflect reality as faithfully as possible. This double movement (revealing the distance, reducing the distance) will be analysed in relation to Johnson’s theory based on a poetics of truth which rejects the lies of the novelistic form and places the autobiographical subject at the heart of the work. In the process, we will determine which forms of mimesis and of relationship to the real Johnson manages to establish.
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institution Kabale University
issn 1272-3819
1969-6302
language English
publishDate 2011-12-01
publisher Centre de Recherche "Texte et Critique de Texte"
record_format Article
series Sillages Critiques
spelling doaj-art-6cef6b7f0c9b4c2494a44bd4efb2751a2025-01-30T13:48:24ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022011-12-011210.4000/sillagescritiques.2237B.S. Johnson ou l’équilibre de l’écartVanessa GuigneryThis paper proposes to examine the apparent contradiction in B.S. Johnson’s novels between, on the one hand, the defamiliarisation of devices so as to lay bare all fictional effects and underline the distance between the referent and its graphic inscription, and on the other hand, the implementation of innovative formal strategies meant to reflect reality as faithfully as possible. This double movement (revealing the distance, reducing the distance) will be analysed in relation to Johnson’s theory based on a poetics of truth which rejects the lies of the novelistic form and places the autobiographical subject at the heart of the work. In the process, we will determine which forms of mimesis and of relationship to the real Johnson manages to establish.https://journals.openedition.org/sillagescritiques/2237mimesismetafictionB.S. Johnsontruth and fictionautobiographygraphic devices
spellingShingle Vanessa Guignery
B.S. Johnson ou l’équilibre de l’écart
Sillages Critiques
mimesis
metafiction
B.S. Johnson
truth and fiction
autobiography
graphic devices
title B.S. Johnson ou l’équilibre de l’écart
title_full B.S. Johnson ou l’équilibre de l’écart
title_fullStr B.S. Johnson ou l’équilibre de l’écart
title_full_unstemmed B.S. Johnson ou l’équilibre de l’écart
title_short B.S. Johnson ou l’équilibre de l’écart
title_sort b s johnson ou l equilibre de l ecart
topic mimesis
metafiction
B.S. Johnson
truth and fiction
autobiography
graphic devices
url https://journals.openedition.org/sillagescritiques/2237
work_keys_str_mv AT vanessaguignery bsjohnsonoulequilibredelecart