Memory Politics on Screen: The Aesthetics of Historical Trauma in Izaokas (Isaac) (2019)
This article analyses the Lithuanian feature film Izaokas (Isaac, 2018) as an expression of memory activism. The film actualised heated debates on a national level over the role of ordinary Lithuanians in the Holocaust and collaboration with Nazi Germany, in spite of the fact that the filmmakers did...
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| Format: | Article |
| Language: | Lithuanian |
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Vilnius University Press
2023-12-01
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| Series: | Politologija |
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| Online Access: | https://www.journals.vu.lt/politologija/article/view/33151 |
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| _version_ | 1832593069276397568 |
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| author | Gabrielė Norkūnaitė |
| author_facet | Gabrielė Norkūnaitė |
| author_sort | Gabrielė Norkūnaitė |
| collection | DOAJ |
| description | This article analyses the Lithuanian feature film Izaokas (Isaac, 2018) as an expression of memory activism. The film actualised heated debates on a national level over the role of ordinary Lithuanians in the Holocaust and collaboration with Nazi Germany, in spite of the fact that the filmmakers did not intend to engage in historical debates. Nonetheless, by generating an immersive experience and engaging viewers at the level of affect, the film effectively engages in polemics with public narratives of the Second World War.
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| format | Article |
| id | doaj-art-6cdc648fe0154a2abccc26823e8143b2 |
| institution | Kabale University |
| issn | 1392-1681 2424-6034 |
| language | Lithuanian |
| publishDate | 2023-12-01 |
| publisher | Vilnius University Press |
| record_format | Article |
| series | Politologija |
| spelling | doaj-art-6cdc648fe0154a2abccc26823e8143b22025-01-20T18:24:08ZlitVilnius University PressPolitologija1392-16812424-60342023-12-01112410.15388/Polit.2023.112.5Memory Politics on Screen: The Aesthetics of Historical Trauma in Izaokas (Isaac) (2019)Gabrielė Norkūnaitė0https://orcid.org/0000-0002-9134-5607Vilnius University, LithuaniaThis article analyses the Lithuanian feature film Izaokas (Isaac, 2018) as an expression of memory activism. The film actualised heated debates on a national level over the role of ordinary Lithuanians in the Holocaust and collaboration with Nazi Germany, in spite of the fact that the filmmakers did not intend to engage in historical debates. Nonetheless, by generating an immersive experience and engaging viewers at the level of affect, the film effectively engages in polemics with public narratives of the Second World War. https://www.journals.vu.lt/politologija/article/view/33151Holocaustmemory activismmemory mappingpublic historyWorld War II |
| spellingShingle | Gabrielė Norkūnaitė Memory Politics on Screen: The Aesthetics of Historical Trauma in Izaokas (Isaac) (2019) Politologija Holocaust memory activism memory mapping public history World War II |
| title | Memory Politics on Screen: The Aesthetics of Historical Trauma in Izaokas (Isaac) (2019) |
| title_full | Memory Politics on Screen: The Aesthetics of Historical Trauma in Izaokas (Isaac) (2019) |
| title_fullStr | Memory Politics on Screen: The Aesthetics of Historical Trauma in Izaokas (Isaac) (2019) |
| title_full_unstemmed | Memory Politics on Screen: The Aesthetics of Historical Trauma in Izaokas (Isaac) (2019) |
| title_short | Memory Politics on Screen: The Aesthetics of Historical Trauma in Izaokas (Isaac) (2019) |
| title_sort | memory politics on screen the aesthetics of historical trauma in izaokas isaac 2019 |
| topic | Holocaust memory activism memory mapping public history World War II |
| url | https://www.journals.vu.lt/politologija/article/view/33151 |
| work_keys_str_mv | AT gabrielenorkunaite memorypoliticsonscreentheaestheticsofhistoricaltraumainizaokasisaac2019 |