Flaubert’s Dig: From Fragments to Modernity's Emerging Form

The curiously fragmented form of Gustave Flaubert's La Tentation de saint Antoine and his final and incomplete novel Bouvard et Pécuchet seems anomalous in comparison to his more well-known works. However, these works occupied Flaubert's consciousness over decades of his lifetime. Indeed,...

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Main Author: Suzanne Braswell
Format: Article
Language:fra
Published: Institut des Textes & Manuscrits Modernes (ITEM) 2011-07-01
Series:Flaubert: Revue Critique et Génétique
Subjects:
Online Access:https://journals.openedition.org/flaubert/1341
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author Suzanne Braswell
author_facet Suzanne Braswell
author_sort Suzanne Braswell
collection DOAJ
description The curiously fragmented form of Gustave Flaubert's La Tentation de saint Antoine and his final and incomplete novel Bouvard et Pécuchet seems anomalous in comparison to his more well-known works. However, these works occupied Flaubert's consciousness over decades of his lifetime. Indeed, he returned three times to La Tentation, a text he characterized as “plus étrange que beau”, and devoted years of research to Bouvard et Pécuchet, suggesting a project of equally enduring interest for the writer. If these two novels seem to stand apart from the rest of his opus, they were in fact the fruit of two abiding lines of interest for the author: theatrical forms and the poetic potential of narrative form, explored through tableaux and fragmentation. This analysis considers the poetics of discontinuity and its relationship both to popular theatrical forms of mid-nineteenth-century France and to emerging characteristics of modernity, notably fragmented consciousness.
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publisher Institut des Textes & Manuscrits Modernes (ITEM)
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series Flaubert: Revue Critique et Génétique
spelling doaj-art-6c49be6f6f1a48b592ea8c8f7b56926f2025-02-05T16:29:34ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912011-07-01510.4000/flaubert.1341Flaubert’s Dig: From Fragments to Modernity's Emerging FormSuzanne BraswellThe curiously fragmented form of Gustave Flaubert's La Tentation de saint Antoine and his final and incomplete novel Bouvard et Pécuchet seems anomalous in comparison to his more well-known works. However, these works occupied Flaubert's consciousness over decades of his lifetime. Indeed, he returned three times to La Tentation, a text he characterized as “plus étrange que beau”, and devoted years of research to Bouvard et Pécuchet, suggesting a project of equally enduring interest for the writer. If these two novels seem to stand apart from the rest of his opus, they were in fact the fruit of two abiding lines of interest for the author: theatrical forms and the poetic potential of narrative form, explored through tableaux and fragmentation. This analysis considers the poetics of discontinuity and its relationship both to popular theatrical forms of mid-nineteenth-century France and to emerging characteristics of modernity, notably fragmented consciousness.https://journals.openedition.org/flaubert/1341Flaubert GustavepoeticBouvard et PécuchetLa Tentation de saint Antoineknowledgefragmentation
spellingShingle Suzanne Braswell
Flaubert’s Dig: From Fragments to Modernity's Emerging Form
Flaubert: Revue Critique et Génétique
Flaubert Gustave
poetic
Bouvard et Pécuchet
La Tentation de saint Antoine
knowledge
fragmentation
title Flaubert’s Dig: From Fragments to Modernity's Emerging Form
title_full Flaubert’s Dig: From Fragments to Modernity's Emerging Form
title_fullStr Flaubert’s Dig: From Fragments to Modernity's Emerging Form
title_full_unstemmed Flaubert’s Dig: From Fragments to Modernity's Emerging Form
title_short Flaubert’s Dig: From Fragments to Modernity's Emerging Form
title_sort flaubert s dig from fragments to modernity s emerging form
topic Flaubert Gustave
poetic
Bouvard et Pécuchet
La Tentation de saint Antoine
knowledge
fragmentation
url https://journals.openedition.org/flaubert/1341
work_keys_str_mv AT suzannebraswell flaubertsdigfromfragmentstomodernitysemergingform