Des coiffes sans vécu ou l’authenticité rêvée

In several European collections and on the art market, one finds beautiful headdresses that bear semi-precious stones and are stamped “Ladakh”. Yet although it is true that similar adornments are offered by many traders in Leh, after thirty years of research in this region of Himalaya and its surrou...

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Main Author: Pascale Dollfus
Format: Article
Language:fra
Published: Laboratoire d'Ethnologie et de Sociologie Comparative 2016-10-01
Series:Ateliers d'Anthropologie
Subjects:
Online Access:https://journals.openedition.org/ateliers/10150
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author Pascale Dollfus
author_facet Pascale Dollfus
author_sort Pascale Dollfus
collection DOAJ
description In several European collections and on the art market, one finds beautiful headdresses that bear semi-precious stones and are stamped “Ladakh”. Yet although it is true that similar adornments are offered by many traders in Leh, after thirty years of research in this region of Himalaya and its surrounding area, as well as in archives, it has not been possible to find any trace of them. Then what are the origins of these atypical creations sold alongside unmysterious if not ordinary headdresses? How can they be characterised?Playing the detective, I attempt to reconstruct the journey taken by these mysterious objects by examining the market and its channels, and I explore the notion of authenticity and its underlying criteria in the area of so-called tribal or primitive art.
format Article
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institution Kabale University
issn 2117-3869
language fra
publishDate 2016-10-01
publisher Laboratoire d'Ethnologie et de Sociologie Comparative
record_format Article
series Ateliers d'Anthropologie
spelling doaj-art-6ae20cecf43b4fdebc21474610788ce62025-01-30T13:42:23ZfraLaboratoire d'Ethnologie et de Sociologie ComparativeAteliers d'Anthropologie2117-38692016-10-014310.4000/ateliers.10150Des coiffes sans vécu ou l’authenticité rêvéePascale DollfusIn several European collections and on the art market, one finds beautiful headdresses that bear semi-precious stones and are stamped “Ladakh”. Yet although it is true that similar adornments are offered by many traders in Leh, after thirty years of research in this region of Himalaya and its surrounding area, as well as in archives, it has not been possible to find any trace of them. Then what are the origins of these atypical creations sold alongside unmysterious if not ordinary headdresses? How can they be characterised?Playing the detective, I attempt to reconstruct the journey taken by these mysterious objects by examining the market and its channels, and I explore the notion of authenticity and its underlying criteria in the area of so-called tribal or primitive art.https://journals.openedition.org/ateliers/10150IndiaartauthenticityhandicraftsheaddressHimalaya
spellingShingle Pascale Dollfus
Des coiffes sans vécu ou l’authenticité rêvée
Ateliers d'Anthropologie
India
art
authenticity
handicrafts
headdress
Himalaya
title Des coiffes sans vécu ou l’authenticité rêvée
title_full Des coiffes sans vécu ou l’authenticité rêvée
title_fullStr Des coiffes sans vécu ou l’authenticité rêvée
title_full_unstemmed Des coiffes sans vécu ou l’authenticité rêvée
title_short Des coiffes sans vécu ou l’authenticité rêvée
title_sort des coiffes sans vecu ou l authenticite revee
topic India
art
authenticity
handicrafts
headdress
Himalaya
url https://journals.openedition.org/ateliers/10150
work_keys_str_mv AT pascaledollfus descoiffessansvecuoulauthenticiterevee