From James Bond with love: tourism and tourists in the Bond saga
‘We could meet at the Saint Sophia mosque. – Like we were tourists,’ suggests James Bond to Russian agent Tatiana Romanova in From Russia with Love. Since 1962 and the release of Dr. No, tourism and tourists have played an important role in the James Bond saga in terms of affording viewers some esca...
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| Format: | Article |
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2018-12-01
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| Online Access: | https://journals.openedition.org/viatourism/3083 |
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| author | Marie-Hélène Chevrier Chloé Huvet |
| author_facet | Marie-Hélène Chevrier Chloé Huvet |
| author_sort | Marie-Hélène Chevrier |
| collection | DOAJ |
| description | ‘We could meet at the Saint Sophia mosque. – Like we were tourists,’ suggests James Bond to Russian agent Tatiana Romanova in From Russia with Love. Since 1962 and the release of Dr. No, tourism and tourists have played an important role in the James Bond saga in terms of affording viewers some escapism. Each film turns into a picture postcard as it takes the hero off to new destinations. The Bond films play on archetypes of destination (which they reinforce) and of tourism practices. These archetypal representations, from mass tourism to luxury tourism and from collective practices to individual practices, are all linked in the films to the image and sound (music and sound design) environments. In this article, we highlight how the Bond saga reflects the evolution of the core tourism practices and representations in Western societies from the 1960s to the present day. |
| format | Article |
| id | doaj-art-6922d5a5829349d9b7f9a2c5e9e6f041 |
| institution | Kabale University |
| issn | 2259-924X |
| language | deu |
| publishDate | 2018-12-01 |
| publisher | Association Via@ |
| record_format | Article |
| series | Via@ |
| spelling | doaj-art-6922d5a5829349d9b7f9a2c5e9e6f0412025-01-30T14:04:41ZdeuAssociation Via@Via@2259-924X2018-12-011410.4000/viatourism.3083From James Bond with love: tourism and tourists in the Bond sagaMarie-Hélène ChevrierChloé Huvet‘We could meet at the Saint Sophia mosque. – Like we were tourists,’ suggests James Bond to Russian agent Tatiana Romanova in From Russia with Love. Since 1962 and the release of Dr. No, tourism and tourists have played an important role in the James Bond saga in terms of affording viewers some escapism. Each film turns into a picture postcard as it takes the hero off to new destinations. The Bond films play on archetypes of destination (which they reinforce) and of tourism practices. These archetypal representations, from mass tourism to luxury tourism and from collective practices to individual practices, are all linked in the films to the image and sound (music and sound design) environments. In this article, we highlight how the Bond saga reflects the evolution of the core tourism practices and representations in Western societies from the 1960s to the present day.https://journals.openedition.org/viatourism/3083James Bondsound designrepresentationsarchetypestourism practicescinematic immersion |
| spellingShingle | Marie-Hélène Chevrier Chloé Huvet From James Bond with love: tourism and tourists in the Bond saga Via@ James Bond sound design representations archetypes tourism practices cinematic immersion |
| title | From James Bond with love: tourism and tourists in the Bond saga |
| title_full | From James Bond with love: tourism and tourists in the Bond saga |
| title_fullStr | From James Bond with love: tourism and tourists in the Bond saga |
| title_full_unstemmed | From James Bond with love: tourism and tourists in the Bond saga |
| title_short | From James Bond with love: tourism and tourists in the Bond saga |
| title_sort | from james bond with love tourism and tourists in the bond saga |
| topic | James Bond sound design representations archetypes tourism practices cinematic immersion |
| url | https://journals.openedition.org/viatourism/3083 |
| work_keys_str_mv | AT mariehelenechevrier fromjamesbondwithlovetourismandtouristsinthebondsaga AT chloehuvet fromjamesbondwithlovetourismandtouristsinthebondsaga |