La intimidad de una escritura
Handwritten notes in a block, as well as some lose pages that come along with the process of the development of Manuel Puig’s first novel appear as intimate writing. We can read in them traces of the transformation of autobiographical material into fiction. In Betrayed by Rita Hayworth, a bildungsro...
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| Format: | Article |
| Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2012-10-01
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| Series: | Cuadernos LIRICO |
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| Online Access: | https://journals.openedition.org/lirico/556 |
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| author | Roxana Páez |
| author_facet | Roxana Páez |
| author_sort | Roxana Páez |
| collection | DOAJ |
| description | Handwritten notes in a block, as well as some lose pages that come along with the process of the development of Manuel Puig’s first novel appear as intimate writing. We can read in them traces of the transformation of autobiographical material into fiction. In Betrayed by Rita Hayworth, a bildungsroman, the question becomes more interesting, because it is Puig’s first publication ; in order words, he becomes author with it. But this novel hasn’t got a narrator. Manuscript notes show the backstage of conflicts of enunciation during the work in process : it is an archaeology of voices that becomes sometimes closer to an enquiry than to a construction based on invention. Much more than in his following books, in this novel the author becomes an agent of the epistemological mutation of his own history. |
| format | Article |
| id | doaj-art-67c3cbb2deb44db59e80fa7c4e7615e8 |
| institution | Kabale University |
| issn | 2262-8339 |
| language | Spanish |
| publishDate | 2012-10-01 |
| publisher | Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata |
| record_format | Article |
| series | Cuadernos LIRICO |
| spelling | doaj-art-67c3cbb2deb44db59e80fa7c4e7615e82025-01-10T13:08:23ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392012-10-01710.4000/lirico.556La intimidad de una escrituraRoxana PáezHandwritten notes in a block, as well as some lose pages that come along with the process of the development of Manuel Puig’s first novel appear as intimate writing. We can read in them traces of the transformation of autobiographical material into fiction. In Betrayed by Rita Hayworth, a bildungsroman, the question becomes more interesting, because it is Puig’s first publication ; in order words, he becomes author with it. But this novel hasn’t got a narrator. Manuscript notes show the backstage of conflicts of enunciation during the work in process : it is an archaeology of voices that becomes sometimes closer to an enquiry than to a construction based on invention. Much more than in his following books, in this novel the author becomes an agent of the epistemological mutation of his own history.https://journals.openedition.org/lirico/556Manuel Puigautobiographical literatureunpublished typescriptsbildungsromanfiction vs non-fictioncinema and literature |
| spellingShingle | Roxana Páez La intimidad de una escritura Cuadernos LIRICO Manuel Puig autobiographical literature unpublished typescripts bildungsroman fiction vs non-fiction cinema and literature |
| title | La intimidad de una escritura |
| title_full | La intimidad de una escritura |
| title_fullStr | La intimidad de una escritura |
| title_full_unstemmed | La intimidad de una escritura |
| title_short | La intimidad de una escritura |
| title_sort | la intimidad de una escritura |
| topic | Manuel Puig autobiographical literature unpublished typescripts bildungsroman fiction vs non-fiction cinema and literature |
| url | https://journals.openedition.org/lirico/556 |
| work_keys_str_mv | AT roxanapaez laintimidaddeunaescritura |