Time-Images in Don DeLillo’s Writing: A Reading of The Body Artist, Point Omega and Zero K

This article focuses on the most recent writings of Don DeLillo, and in particular it analyzes three of DeLillo’s later works, namely The Body Artist, Point Omega and Zero K, as examples of a more meditative and reflective attitude towards the themes of time and image in his recent production. By st...

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Main Author: Andrea Pitozzi
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2020-12-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/15751
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author Andrea Pitozzi
author_facet Andrea Pitozzi
author_sort Andrea Pitozzi
collection DOAJ
description This article focuses on the most recent writings of Don DeLillo, and in particular it analyzes three of DeLillo’s later works, namely The Body Artist, Point Omega and Zero K, as examples of a more meditative and reflective attitude towards the themes of time and image in his recent production. By studying how these books present the reader with a sort of suspended narrative time, I will read them in the light of concepts and notions drawn from the philosophy of Henri Bergson and Gilles Deleuze, in particular Bergsonian duration and Deleuze’s idea of the time-image. Reading DeLillo’s recent novels according to this philosophical framework enables one to consider the implications his writing draws between time and images in configuring the perception of time as an almost physical, substantial and non-subjective whole to be sensed and described through narrative and figurative strategies.
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spelling doaj-art-66f17d6de70d4ed88e61c7b314c2287b2025-01-30T10:43:02ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662020-12-01110.4000/transatlantica.15751Time-Images in Don DeLillo’s Writing: A Reading of The Body Artist, Point Omega and Zero KAndrea PitozziThis article focuses on the most recent writings of Don DeLillo, and in particular it analyzes three of DeLillo’s later works, namely The Body Artist, Point Omega and Zero K, as examples of a more meditative and reflective attitude towards the themes of time and image in his recent production. By studying how these books present the reader with a sort of suspended narrative time, I will read them in the light of concepts and notions drawn from the philosophy of Henri Bergson and Gilles Deleuze, in particular Bergsonian duration and Deleuze’s idea of the time-image. Reading DeLillo’s recent novels according to this philosophical framework enables one to consider the implications his writing draws between time and images in configuring the perception of time as an almost physical, substantial and non-subjective whole to be sensed and described through narrative and figurative strategies.https://journals.openedition.org/transatlantica/15751timenarrationimageDeleuze (Gilles)Bergson (Henri)duration
spellingShingle Andrea Pitozzi
Time-Images in Don DeLillo’s Writing: A Reading of The Body Artist, Point Omega and Zero K
Transatlantica
time
narration
image
Deleuze (Gilles)
Bergson (Henri)
duration
title Time-Images in Don DeLillo’s Writing: A Reading of The Body Artist, Point Omega and Zero K
title_full Time-Images in Don DeLillo’s Writing: A Reading of The Body Artist, Point Omega and Zero K
title_fullStr Time-Images in Don DeLillo’s Writing: A Reading of The Body Artist, Point Omega and Zero K
title_full_unstemmed Time-Images in Don DeLillo’s Writing: A Reading of The Body Artist, Point Omega and Zero K
title_short Time-Images in Don DeLillo’s Writing: A Reading of The Body Artist, Point Omega and Zero K
title_sort time images in don delillo s writing a reading of the body artist point omega and zero k
topic time
narration
image
Deleuze (Gilles)
Bergson (Henri)
duration
url https://journals.openedition.org/transatlantica/15751
work_keys_str_mv AT andreapitozzi timeimagesindondelilloswritingareadingofthebodyartistpointomegaandzerok