Play-write Poetry in Nicholson Baker’s The Anthologist

The following article focuses on the function of literary play in Nicholson Baker’s The Anthologist, a meta-fictional novel whose narrator Paul Chowder is a writer and poet who struggles to write the introduction of a forthcoming anthology of rhymed poetry. Whereas it is the competitive nature (agon...

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Main Author: Yannicke Chupin
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2013-12-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/6625
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author Yannicke Chupin
author_facet Yannicke Chupin
author_sort Yannicke Chupin
collection DOAJ
description The following article focuses on the function of literary play in Nicholson Baker’s The Anthologist, a meta-fictional novel whose narrator Paul Chowder is a writer and poet who struggles to write the introduction of a forthcoming anthology of rhymed poetry. Whereas it is the competitive nature (agon) of literary creation that initially suspends the pleasure of creation, as will be reviewed in the first part of the analysis, it is through the virtues of educational play (paideia) and the creation of an alternative world that narrative creativity is released and produces the pages that constitute this book. Focusing on freedom as a pivotal concept in the creation of this contemporary Ars Poetica, the analysis then reviews the carnivalization of language and forms as a resourceful manifestation of literary play.
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record_format Article
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spelling doaj-art-65df6f307b1041c09b80a4ad7713df552025-01-30T10:44:07ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662013-12-01210.4000/transatlantica.6625Play-write Poetry in Nicholson Baker’s The AnthologistYannicke ChupinThe following article focuses on the function of literary play in Nicholson Baker’s The Anthologist, a meta-fictional novel whose narrator Paul Chowder is a writer and poet who struggles to write the introduction of a forthcoming anthology of rhymed poetry. Whereas it is the competitive nature (agon) of literary creation that initially suspends the pleasure of creation, as will be reviewed in the first part of the analysis, it is through the virtues of educational play (paideia) and the creation of an alternative world that narrative creativity is released and produces the pages that constitute this book. Focusing on freedom as a pivotal concept in the creation of this contemporary Ars Poetica, the analysis then reviews the carnivalization of language and forms as a resourceful manifestation of literary play.https://journals.openedition.org/transatlantica/6625metafictionNicholson BakerLiterary playself-conscious writingBakhtincarnival and carnivalization
spellingShingle Yannicke Chupin
Play-write Poetry in Nicholson Baker’s The Anthologist
Transatlantica
metafiction
Nicholson Baker
Literary play
self-conscious writing
Bakhtin
carnival and carnivalization
title Play-write Poetry in Nicholson Baker’s The Anthologist
title_full Play-write Poetry in Nicholson Baker’s The Anthologist
title_fullStr Play-write Poetry in Nicholson Baker’s The Anthologist
title_full_unstemmed Play-write Poetry in Nicholson Baker’s The Anthologist
title_short Play-write Poetry in Nicholson Baker’s The Anthologist
title_sort play write poetry in nicholson baker s the anthologist
topic metafiction
Nicholson Baker
Literary play
self-conscious writing
Bakhtin
carnival and carnivalization
url https://journals.openedition.org/transatlantica/6625
work_keys_str_mv AT yannickechupin playwritepoetryinnicholsonbakerstheanthologist