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Flaubert belongs to the generation of lost images: no more romantic comparisons weaving correspondences and expressing the harmony of Creation. Mourning the sublime, Flaubert in Madame Bovary multiplies comparisons of a sadly grotesque nature. Here, drawing from Manfred Hardt’s example, we follow a...
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| Main Author: | |
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| Format: | Article |
| Language: | fra |
| Published: |
Institut des Textes & Manuscrits Modernes (ITEM)
2017-06-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Subjects: | |
| Online Access: | https://journals.openedition.org/flaubert/2716 |
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| Summary: | Flaubert belongs to the generation of lost images: no more romantic comparisons weaving correspondences and expressing the harmony of Creation. Mourning the sublime, Flaubert in Madame Bovary multiplies comparisons of a sadly grotesque nature. Here, drawing from Manfred Hardt’s example, we follow a series of images that punctuate Emma’s fate, around the bird motif deprived of its romantic prestige: it does not sing and has trouble flying. |
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| ISSN: | 1969-6191 |