Orkney snork nie!

In this article it is postulated that a critical/analytical reading of TV programmes should be an eclectic (or multi-disciplinary) transaction. With the "auteurism" viewpoint (vide Lapsley et all, Reader-response Criti cism (Allen et al) and the British Cul tural Studies (Birmingham) appr...

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Main Author: Stephan Bouwer
Format: Article
Language:English
Published: University of Johannesburg 2022-11-01
Series:Communicare
Subjects:
Online Access:https://journals.uj.ac.za/index.php/jcsa/article/view/1990
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author Stephan Bouwer
author_facet Stephan Bouwer
author_sort Stephan Bouwer
collection DOAJ
description In this article it is postulated that a critical/analytical reading of TV programmes should be an eclectic (or multi-disciplinary) transaction. With the "auteurism" viewpoint (vide Lapsley et all, Reader-response Criti cism (Allen et al) and the British Cul tural Studies (Birmingham) approach (Fiske et al) as point of departure, the popular Afrikaans sitcom ORK NEY SNORK NIE! (SABC TV1) is used as "vehicle" to demonstrate that TV viewing is a highly entangled, inter textual, communication transaction. The question of genre delimination, as an ideological implement, is also mooted. Two diagrammes (the nar ratological prose model and the "6 phase" communication model) are used as illustration to elucidate on encoding/decoding, with special emphasis on the contribution of the various sender collaborators and on author Esterhuizen as primary source of signification. With due allowance for the TV viewer as a reader who "negotiates" and "opposes", to use Althusser's terms, this article is an attempt at TV deconstruction in or der to demonstrate certain theories of pictorial communication and dis course analysis.
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spelling doaj-art-641ce56613d041d691d3c2698951f0b52025-01-20T08:46:06ZengUniversity of JohannesburgCommunicare0259-00692957-79502022-11-0110210.36615/jcsa.v10i2.1990Orkney snork nie!Stephan Bouwer0University of Johannesburg In this article it is postulated that a critical/analytical reading of TV programmes should be an eclectic (or multi-disciplinary) transaction. With the "auteurism" viewpoint (vide Lapsley et all, Reader-response Criti cism (Allen et al) and the British Cul tural Studies (Birmingham) approach (Fiske et al) as point of departure, the popular Afrikaans sitcom ORK NEY SNORK NIE! (SABC TV1) is used as "vehicle" to demonstrate that TV viewing is a highly entangled, inter textual, communication transaction. The question of genre delimination, as an ideological implement, is also mooted. Two diagrammes (the nar ratological prose model and the "6 phase" communication model) are used as illustration to elucidate on encoding/decoding, with special emphasis on the contribution of the various sender collaborators and on author Esterhuizen as primary source of signification. With due allowance for the TV viewer as a reader who "negotiates" and "opposes", to use Althusser's terms, this article is an attempt at TV deconstruction in or der to demonstrate certain theories of pictorial communication and dis course analysis. https://journals.uj.ac.za/index.php/jcsa/article/view/1990TV programmeseclectic (or multi-disciplinary) transactionBritish Cul tural Studies (Birmingham) approachReader-response Criticism
spellingShingle Stephan Bouwer
Orkney snork nie!
Communicare
TV programmes
eclectic (or multi-disciplinary) transaction
British Cul tural Studies (Birmingham) approach
Reader-response Criticism
title Orkney snork nie!
title_full Orkney snork nie!
title_fullStr Orkney snork nie!
title_full_unstemmed Orkney snork nie!
title_short Orkney snork nie!
title_sort orkney snork nie
topic TV programmes
eclectic (or multi-disciplinary) transaction
British Cul tural Studies (Birmingham) approach
Reader-response Criticism
url https://journals.uj.ac.za/index.php/jcsa/article/view/1990
work_keys_str_mv AT stephanbouwer orkneysnorknie