« The Enduring End »

Algernon Swinburne’s poetical work is autopoietic — the poet elaborates his art as a self-contained, circular system that feeds itself and articulates around itself. Amongst the recurring aesthetic themes that he explores, the transition between the state of life and the state of death is at the cen...

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Main Author: Andria Pancrazi
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2018-07-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/6462
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author Andria Pancrazi
author_facet Andria Pancrazi
author_sort Andria Pancrazi
collection DOAJ
description Algernon Swinburne’s poetical work is autopoietic — the poet elaborates his art as a self-contained, circular system that feeds itself and articulates around itself. Amongst the recurring aesthetic themes that he explores, the transition between the state of life and the state of death is at the centre of many of his poems, which he composes using innovative forms — the most characteristic one being very long rhapsodic poems and roundels (a particular variation on the rondeau of his own invention). Circularity, cyclicity, decomposition and recomposition, the motifs of the end and a potential, subsequent new beginning are ubiquitous in his work. Algernon Swinburne deconstructs the reader’s expectations and construes the textual end as a present absence that haunts the text. In the words of the poet, the end, relentlessly evoked, invoked and postponed, becomes a liminal zone of tension where a circular transsubstantiation of the text becomes possible.
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institution Kabale University
issn 1272-3819
1969-6302
language English
publishDate 2018-07-01
publisher Centre de Recherche "Texte et Critique de Texte"
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series Sillages Critiques
spelling doaj-art-6256c4106105499ca30fcc5070750cff2025-01-30T13:47:00ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022018-07-012410.4000/sillagescritiques.6462« The Enduring End »Andria PancraziAlgernon Swinburne’s poetical work is autopoietic — the poet elaborates his art as a self-contained, circular system that feeds itself and articulates around itself. Amongst the recurring aesthetic themes that he explores, the transition between the state of life and the state of death is at the centre of many of his poems, which he composes using innovative forms — the most characteristic one being very long rhapsodic poems and roundels (a particular variation on the rondeau of his own invention). Circularity, cyclicity, decomposition and recomposition, the motifs of the end and a potential, subsequent new beginning are ubiquitous in his work. Algernon Swinburne deconstructs the reader’s expectations and construes the textual end as a present absence that haunts the text. In the words of the poet, the end, relentlessly evoked, invoked and postponed, becomes a liminal zone of tension where a circular transsubstantiation of the text becomes possible.https://journals.openedition.org/sillagescritiques/6462poetryVictoriandeathendleprosyAlgernon Swinburne
spellingShingle Andria Pancrazi
« The Enduring End »
Sillages Critiques
poetry
Victorian
death
end
leprosy
Algernon Swinburne
title « The Enduring End »
title_full « The Enduring End »
title_fullStr « The Enduring End »
title_full_unstemmed « The Enduring End »
title_short « The Enduring End »
title_sort the enduring end
topic poetry
Victorian
death
end
leprosy
Algernon Swinburne
url https://journals.openedition.org/sillagescritiques/6462
work_keys_str_mv AT andriapancrazi theenduringend