John Edgar Wideman, lecteur-archiviste de Frantz Fanon

This article intends to read Fanon, a Novel, written in 2008 by John Edgar Wideman, as an attempt to decolonize the archive, more specifically the Fanonian archive. Rather than trying to exhume the legacy of the Martiniquan thinker, the novel proposes to set Fanon’s thought in motion, allowing it to...

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Main Author: Flora Valadié
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2017-12-01
Series:Sillages Critiques
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Online Access:https://journals.openedition.org/sillagescritiques/5417
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author Flora Valadié
author_facet Flora Valadié
author_sort Flora Valadié
collection DOAJ
description This article intends to read Fanon, a Novel, written in 2008 by John Edgar Wideman, as an attempt to decolonize the archive, more specifically the Fanonian archive. Rather than trying to exhume the legacy of the Martiniquan thinker, the novel proposes to set Fanon’s thought in motion, allowing it to unfold before the reader’s eyes. Thus summoned up, the archive assumes an eminently political role. No longer an origin in a teleological narrative, it can only be apprehended by a text that deliberately practices generic blurring and intermingling as a mode of writing. In Fanon, a Novel, the intersection between fiction and the archive serves as a productive space where national and colonial grand narratives are defeated.
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series Sillages Critiques
spelling doaj-art-5fb93268dd6b415296e73318f80050f02025-01-30T13:46:56ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022017-12-012310.4000/sillagescritiques.5417John Edgar Wideman, lecteur-archiviste de Frantz FanonFlora ValadiéThis article intends to read Fanon, a Novel, written in 2008 by John Edgar Wideman, as an attempt to decolonize the archive, more specifically the Fanonian archive. Rather than trying to exhume the legacy of the Martiniquan thinker, the novel proposes to set Fanon’s thought in motion, allowing it to unfold before the reader’s eyes. Thus summoned up, the archive assumes an eminently political role. No longer an origin in a teleological narrative, it can only be apprehended by a text that deliberately practices generic blurring and intermingling as a mode of writing. In Fanon, a Novel, the intersection between fiction and the archive serves as a productive space where national and colonial grand narratives are defeated.https://journals.openedition.org/sillagescritiques/5417formpoliticsarchivehistoryfictionWideman
spellingShingle Flora Valadié
John Edgar Wideman, lecteur-archiviste de Frantz Fanon
Sillages Critiques
form
politics
archive
history
fiction
Wideman
title John Edgar Wideman, lecteur-archiviste de Frantz Fanon
title_full John Edgar Wideman, lecteur-archiviste de Frantz Fanon
title_fullStr John Edgar Wideman, lecteur-archiviste de Frantz Fanon
title_full_unstemmed John Edgar Wideman, lecteur-archiviste de Frantz Fanon
title_short John Edgar Wideman, lecteur-archiviste de Frantz Fanon
title_sort john edgar wideman lecteur archiviste de frantz fanon
topic form
politics
archive
history
fiction
Wideman
url https://journals.openedition.org/sillagescritiques/5417
work_keys_str_mv AT floravaladie johnedgarwidemanlecteurarchivistedefrantzfanon