Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros
Τhis paper examines three Byzantine icons from the iconostasis of the church of the Panagia tou Kastrou on Leros/Dodecanese, initially dated to the sixteenth century and attributed to a Cretan workshop. However, certain elements of their iconography and style point to their attribution to a Constant...
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| Main Author: | |
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| Format: | Article |
| Language: | deu |
| Published: |
Faculty of Philosophy, Belgrade
2023-01-01
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| Series: | Zograf |
| Subjects: | |
| Online Access: | https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347139K.pdf |
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| Summary: | Τhis paper examines three Byzantine icons from the iconostasis of the church
of the Panagia tou Kastrou on Leros/Dodecanese, initially dated to the
sixteenth century and attributed to a Cretan workshop. However, certain
elements of their iconography and style point to their attribution to a
Constantinopolitan painter active in the first half of the fifteenth
century. In this context the island of Leros, as part of the Hospitaller
Island State (1309-1522), presents an interesting example of the osmosis
between Palaiologan and Western art and of artistic developments in areas
under Latin rule. |
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| ISSN: | 0350-1361 2406-0755 |