To Blanch an Ethiop: Motifs of Blackness in <i>The Tempest</i> and Ben Jonson’s <i>Masque of Blackness</i>
In the period between 2021 and 2022 immediately following the COVID-19 lockdowns, there were 37 professional or academic productions of <i>The Tempest</i> in the United States. The play was by far the most produced of Shakespeare’s works in this timespan, and those 37 productions represe...
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| Format: | Article |
| Language: | English |
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MDPI AG
2025-05-01
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| Series: | Humanities |
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| Online Access: | https://www.mdpi.com/2076-0787/14/6/115 |
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