Encodage et décodage des récits historiques. Un cas : la série Le Canada, une histoire populaire

This article, based on the investigation of the CBC documentary archives and of the fond Ramsay Cook , examines the circulation of historical narratives within Canadian society through the analysis of the context of production of the TV series Canada: A People’s History – what we call ‘narrative enc...

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Main Author: Olivier Côté
Format: Article
Language:deu
Published: Conserveries Mémorielles 2011-04-01
Series:Conserveries Mémorielles
Online Access:https://journals.openedition.org/cm/828
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author Olivier Côté
author_facet Olivier Côté
author_sort Olivier Côté
collection DOAJ
description This article, based on the investigation of the CBC documentary archives and of the fond Ramsay Cook , examines the circulation of historical narratives within Canadian society through the analysis of the context of production of the TV series Canada: A People’s History – what we call ‘narrative encoding’ –, the study of the dynamics between CBC’s journalists and historians, and the decoding of this ‘encoded’ historical narrative by TV viewers who sent their e-mails to the CBC. Despite the very presence of counter narratives within the production and reception contexts, may it be regional, cultural or professional, pluralism and ‘nation-building’ master narratives remain hegemonic because of the persuasive force of social actors who strongly support their diffusion, and especially because these narratives are closely related to the social imaginary of most Canadians, either producers of this historical narrative made for the television age or viewers.
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spelling doaj-art-5f20c6f594b04d5ea61904e498b61eae2025-02-05T16:16:52ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562011-04-01Encodage et décodage des récits historiques. Un cas : la série Le Canada, une histoire populaireOlivier CôtéThis article, based on the investigation of the CBC documentary archives and of the fond Ramsay Cook , examines the circulation of historical narratives within Canadian society through the analysis of the context of production of the TV series Canada: A People’s History – what we call ‘narrative encoding’ –, the study of the dynamics between CBC’s journalists and historians, and the decoding of this ‘encoded’ historical narrative by TV viewers who sent their e-mails to the CBC. Despite the very presence of counter narratives within the production and reception contexts, may it be regional, cultural or professional, pluralism and ‘nation-building’ master narratives remain hegemonic because of the persuasive force of social actors who strongly support their diffusion, and especially because these narratives are closely related to the social imaginary of most Canadians, either producers of this historical narrative made for the television age or viewers.https://journals.openedition.org/cm/828
spellingShingle Olivier Côté
Encodage et décodage des récits historiques. Un cas : la série Le Canada, une histoire populaire
Conserveries Mémorielles
title Encodage et décodage des récits historiques. Un cas : la série Le Canada, une histoire populaire
title_full Encodage et décodage des récits historiques. Un cas : la série Le Canada, une histoire populaire
title_fullStr Encodage et décodage des récits historiques. Un cas : la série Le Canada, une histoire populaire
title_full_unstemmed Encodage et décodage des récits historiques. Un cas : la série Le Canada, une histoire populaire
title_short Encodage et décodage des récits historiques. Un cas : la série Le Canada, une histoire populaire
title_sort encodage et decodage des recits historiques un cas la serie le canada une histoire populaire
url https://journals.openedition.org/cm/828
work_keys_str_mv AT oliviercote encodageetdecodagedesrecitshistoriquesuncaslaserielecanadaunehistoirepopulaire