Encodage et décodage des récits historiques. Un cas : la série Le Canada, une histoire populaire
This article, based on the investigation of the CBC documentary archives and of the fond Ramsay Cook , examines the circulation of historical narratives within Canadian society through the analysis of the context of production of the TV series Canada: A People’s History – what we call ‘narrative enc...
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| Format: | Article |
| Language: | deu |
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Conserveries Mémorielles
2011-04-01
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| Series: | Conserveries Mémorielles |
| Online Access: | https://journals.openedition.org/cm/828 |
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| Summary: | This article, based on the investigation of the CBC documentary archives and of the fond Ramsay Cook , examines the circulation of historical narratives within Canadian society through the analysis of the context of production of the TV series Canada: A People’s History – what we call ‘narrative encoding’ –, the study of the dynamics between CBC’s journalists and historians, and the decoding of this ‘encoded’ historical narrative by TV viewers who sent their e-mails to the CBC. Despite the very presence of counter narratives within the production and reception contexts, may it be regional, cultural or professional, pluralism and ‘nation-building’ master narratives remain hegemonic because of the persuasive force of social actors who strongly support their diffusion, and especially because these narratives are closely related to the social imaginary of most Canadians, either producers of this historical narrative made for the television age or viewers. |
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| ISSN: | 1718-5556 |