‘With Mike Hunt I Have Travelled Over the Town:’ the Norms of ‘Deviance’ in Sub-respectable Nineteenth-Century Song

Raymond Williams’s model of competing dominant, emergent and residual ideologies implies a linear progress from one to the other. It obscures the existence of the sort of ‘deviant’ ideology that runs concurrently with the dominant. This, which I would call ‘submerged’ ideology, fulfils much of the f...

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Main Author: C. M. Jackson-Houlston
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2005-12-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/14164
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author C. M. Jackson-Houlston
author_facet C. M. Jackson-Houlston
author_sort C. M. Jackson-Houlston
collection DOAJ
description Raymond Williams’s model of competing dominant, emergent and residual ideologies implies a linear progress from one to the other. It obscures the existence of the sort of ‘deviant’ ideology that runs concurrently with the dominant. This, which I would call ‘submerged’ ideology, fulfils much of the function of Bakthin’s carnival, as a semi-licensed refuge for what is insufficiently contained by the dominant discourse of the day. This paper demonstrates the existence of such a submerged discourse through an analysis of the structure and content of the popular songs of song-and-supper clubs of the middle third of the nineteenth century. These are deliberately subversive through their parody of established song models and tunes, and this paper explores the relation of this supposed ‘deviance’ to the respectable gender ideology of the period.
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spelling doaj-art-5e1ac7ef572d48348fccf863137de0792025-01-30T10:21:27ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492005-12-016110.4000/11s9e‘With Mike Hunt I Have Travelled Over the Town:’ the Norms of ‘Deviance’ in Sub-respectable Nineteenth-Century SongC. M. Jackson-HoulstonRaymond Williams’s model of competing dominant, emergent and residual ideologies implies a linear progress from one to the other. It obscures the existence of the sort of ‘deviant’ ideology that runs concurrently with the dominant. This, which I would call ‘submerged’ ideology, fulfils much of the function of Bakthin’s carnival, as a semi-licensed refuge for what is insufficiently contained by the dominant discourse of the day. This paper demonstrates the existence of such a submerged discourse through an analysis of the structure and content of the popular songs of song-and-supper clubs of the middle third of the nineteenth century. These are deliberately subversive through their parody of established song models and tunes, and this paper explores the relation of this supposed ‘deviance’ to the respectable gender ideology of the period.https://journals.openedition.org/cve/14164
spellingShingle C. M. Jackson-Houlston
‘With Mike Hunt I Have Travelled Over the Town:’ the Norms of ‘Deviance’ in Sub-respectable Nineteenth-Century Song
Cahiers Victoriens et Edouardiens
title ‘With Mike Hunt I Have Travelled Over the Town:’ the Norms of ‘Deviance’ in Sub-respectable Nineteenth-Century Song
title_full ‘With Mike Hunt I Have Travelled Over the Town:’ the Norms of ‘Deviance’ in Sub-respectable Nineteenth-Century Song
title_fullStr ‘With Mike Hunt I Have Travelled Over the Town:’ the Norms of ‘Deviance’ in Sub-respectable Nineteenth-Century Song
title_full_unstemmed ‘With Mike Hunt I Have Travelled Over the Town:’ the Norms of ‘Deviance’ in Sub-respectable Nineteenth-Century Song
title_short ‘With Mike Hunt I Have Travelled Over the Town:’ the Norms of ‘Deviance’ in Sub-respectable Nineteenth-Century Song
title_sort with mike hunt i have travelled over the town the norms of deviance in sub respectable nineteenth century song
url https://journals.openedition.org/cve/14164
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