Performing the virtual double
In what follows the idea of the online double is historically contextualised and analysed. Beginning with the contemporary idea of the ‘selfie’ as online self-induced double, I proceed to discuss the Doppelgänger’s (double) mythical and literary roots, in order to expand the discussion of the selfi...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
University of Johannesburg
2022-10-01
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| Series: | Communicare |
| Subjects: | |
| Online Access: | https://journals.uj.ac.za/index.php/jcsa/article/view/1605 |
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| Summary: | In what follows the idea of the online double is historically contextualised and analysed. Beginning
with the contemporary idea of the ‘selfie’ as online self-induced double, I proceed to discuss the
Doppelgänger’s (double) mythical and literary roots, in order to expand the discussion of the selfie
to include the online double. Two instances of the online double are unpacked, namely the double
as shadow and the double as a stand-in or alter-ego, which correspond significantly with Marshall
McLuhan’s analysis of the Narcissus myth and technological use. McLuhan reveals the doubled
nature of our technological engagement that leads to either self-amputation or self-amplification.
In my analysis, the double as shadow is correlated with self-amputation and the double as alterego
with self-amplification. It is argued that the double as shadow is evoked online through the
mining of data regarding the self that is captured consciously and unconsciously to create what
is known as the Data Doppelgänger. The figure of the Doppelgänger is further vividly conjured
through virtual stand-ins or alter-egos that act on behalf of the self to create a tele-presence
through examples such as Project Lifelike and rep.licants.org.
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| ISSN: | 0259-0069 2957-7950 |