New York, le désespoir du peintre dans The American Scene

The modern city of New York, visited after a twenty-year absence, did not only come as a sentimental and cultural shock to the Europeanized novelist; it simply shattered his long-standing literary credos. The chaotic welter of impressions, as well as the substitution of uniform expressionless skyscr...

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Main Author: Marie-Odile Salati
Format: Article
Language:English
Published: Presses Universitaires du Midi 2009-12-01
Series:Anglophonia
Subjects:
Online Access:https://journals.openedition.org/acs/1718
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author Marie-Odile Salati
author_facet Marie-Odile Salati
author_sort Marie-Odile Salati
collection DOAJ
description The modern city of New York, visited after a twenty-year absence, did not only come as a sentimental and cultural shock to the Europeanized novelist; it simply shattered his long-standing literary credos. The chaotic welter of impressions, as well as the substitution of uniform expressionless skyscrapers for the picturesque vestiges of the past under the pressure of the economic law, make the megalopolis an eminently non pictorial object and the task of the painter of life an impossible one. Since artistic composition is ruled out, the writer undertakes to capture epiphanic moments of acute perception, when a pattern of meaning suddenly looms out of the prevailing confusion, revealing the essence of the city. In order to convey the overriding impression of intense life going on, he adapts his technique to the object under observation, availing himself of all the resources provided by the materiality of language and by the capacity for compression afforded by metaphor, thus transmuting discordance into art.
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spelling doaj-art-5c3692ccc945430ba4e4be023e5c23c92025-01-30T12:34:12ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662009-12-012541942910.4000/caliban.1718New York, le désespoir du peintre dans The American SceneMarie-Odile SalatiThe modern city of New York, visited after a twenty-year absence, did not only come as a sentimental and cultural shock to the Europeanized novelist; it simply shattered his long-standing literary credos. The chaotic welter of impressions, as well as the substitution of uniform expressionless skyscrapers for the picturesque vestiges of the past under the pressure of the economic law, make the megalopolis an eminently non pictorial object and the task of the painter of life an impossible one. Since artistic composition is ruled out, the writer undertakes to capture epiphanic moments of acute perception, when a pattern of meaning suddenly looms out of the prevailing confusion, revealing the essence of the city. In order to convey the overriding impression of intense life going on, he adapts his technique to the object under observation, availing himself of all the resources provided by the materiality of language and by the capacity for compression afforded by metaphor, thus transmuting discordance into art.https://journals.openedition.org/acs/1718picturalitévisuelsymptômeprésentationmétaphorediscordance
spellingShingle Marie-Odile Salati
New York, le désespoir du peintre dans The American Scene
Anglophonia
picturalité
visuel
symptôme
présentation
métaphore
discordance
title New York, le désespoir du peintre dans The American Scene
title_full New York, le désespoir du peintre dans The American Scene
title_fullStr New York, le désespoir du peintre dans The American Scene
title_full_unstemmed New York, le désespoir du peintre dans The American Scene
title_short New York, le désespoir du peintre dans The American Scene
title_sort new york le desespoir du peintre dans the american scene
topic picturalité
visuel
symptôme
présentation
métaphore
discordance
url https://journals.openedition.org/acs/1718
work_keys_str_mv AT marieodilesalati newyorkledesespoirdupeintredanstheamericanscene