Ripples of Trauma in Jonathan Safran Foer’s Extremely Loud & Incredibly Close and in Art Spiegelman’s In the Shadow of No Towers
This article examines how Jonathan Safran Foer (Extremely Loud & Incredibly Close) and Art Spiegelman (In the Shadow of No Towers) build on the traumatic choc wave spawned by 9/11. As traumatic repetitions spread through the text, they become a narrative device which both traces trauma and allow...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2015-10-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/4285 |
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