Programas ideológicos a través de la imagem: algunos ejemplos de la Edad Media
The iconography of Jacques the Conqueror is the result of ideological programs originated by official institutions or by the monarchy itself. It implies a positive judgement of the king’s profile, that short after his mourned death, was given a legendary aura. This nevertheless did not always count...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
Instituto de Estudos Medievais
2011-01-01
|
| Series: | Medievalista |
| Subjects: | |
| Online Access: | https://journals.openedition.org/medievalista/507 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | The iconography of Jacques the Conqueror is the result of ideological programs originated by official institutions or by the monarchy itself. It implies a positive judgement of the king’s profile, that short after his mourned death, was given a legendary aura. This nevertheless did not always count with the Church’s support. Some examples of the attributions to the king are: epical crussader against the infidel sarracins, epitomy of a hero, root of a glorious dinasty in Valencia and Mallorca, etc. And those were mere samples of the different meanings that the recorded effigies express. Meanings that offer an extraordinary vision of king Jacques I, although not always close to reality. |
|---|---|
| ISSN: | 1646-740X |