REPERTOIRE OF CINEMAS AND AUDIENCE PREFERENCES IN THE ERA OF "STAGNATION"

The article deals with the repertoire policy of Soviet cinema in the 1970's - early 1980-ies. By studying such aspects as genre and thematic range, the plots, the characters, etc., the author tries to reveal the relationship between changes taking place in society at the time, and cinema as a r...

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Main Author: M. Kosinova
Format: Article
Language:English
Published: Publishing House of the State University of Management 2016-06-01
Series:Вестник университета
Subjects:
Online Access:https://vestnik.guu.ru/jour/article/view/245
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author M. Kosinova
author_facet M. Kosinova
author_sort M. Kosinova
collection DOAJ
description The article deals with the repertoire policy of Soviet cinema in the 1970's - early 1980-ies. By studying such aspects as genre and thematic range, the plots, the characters, etc., the author tries to reveal the relationship between changes taking place in society at the time, and cinema as a repeater these changes. In particular, the strengthening of censorship in the era of stagnation leads to the fact that the vast majority of directors "breaks" under the weight of the system and continues to work by inertia - in the space of canonical Communist ideas and the Soviet conception of life. These worldviews continue to run in the conveyor of the Soviet film industry, which automatically gives the most part of its products smack of falsehood, which cannot fail to perceive the viewer. Largely for this reason, in the 1980-ies our movie will be in poor condition.
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spelling doaj-art-590b86c60be242b0bf91cbfa44e8f95f2025-02-04T08:27:45ZengPublishing House of the State University of ManagementВестник университета1816-42772686-84152016-06-0106255259245REPERTOIRE OF CINEMAS AND AUDIENCE PREFERENCES IN THE ERA OF "STAGNATION"M. Kosinova0ФГБОУ ВО «ГУУ»The article deals with the repertoire policy of Soviet cinema in the 1970's - early 1980-ies. By studying such aspects as genre and thematic range, the plots, the characters, etc., the author tries to reveal the relationship between changes taking place in society at the time, and cinema as a repeater these changes. In particular, the strengthening of censorship in the era of stagnation leads to the fact that the vast majority of directors "breaks" under the weight of the system and continues to work by inertia - in the space of canonical Communist ideas and the Soviet conception of life. These worldviews continue to run in the conveyor of the Soviet film industry, which automatically gives the most part of its products smack of falsehood, which cannot fail to perceive the viewer. Largely for this reason, in the 1980-ies our movie will be in poor condition.https://vestnik.guu.ru/jour/article/view/245soviet cinemaperiod of "stagnation"cinemasdistributioncinema attendancerepertoire policyaudience
spellingShingle M. Kosinova
REPERTOIRE OF CINEMAS AND AUDIENCE PREFERENCES IN THE ERA OF "STAGNATION"
Вестник университета
soviet cinema
period of "stagnation"
cinemas
distribution
cinema attendance
repertoire policy
audience
title REPERTOIRE OF CINEMAS AND AUDIENCE PREFERENCES IN THE ERA OF "STAGNATION"
title_full REPERTOIRE OF CINEMAS AND AUDIENCE PREFERENCES IN THE ERA OF "STAGNATION"
title_fullStr REPERTOIRE OF CINEMAS AND AUDIENCE PREFERENCES IN THE ERA OF "STAGNATION"
title_full_unstemmed REPERTOIRE OF CINEMAS AND AUDIENCE PREFERENCES IN THE ERA OF "STAGNATION"
title_short REPERTOIRE OF CINEMAS AND AUDIENCE PREFERENCES IN THE ERA OF "STAGNATION"
title_sort repertoire of cinemas and audience preferences in the era of stagnation
topic soviet cinema
period of "stagnation"
cinemas
distribution
cinema attendance
repertoire policy
audience
url https://vestnik.guu.ru/jour/article/view/245
work_keys_str_mv AT mkosinova repertoireofcinemasandaudiencepreferencesintheeraofstagnation