'n Genre-omlyning van die chanson
The aim of this article, held at a popular culture symposium in honour of the Afrikaans writer Hennie Aucamp, is to define the genre of the chanson with specific reference to the poetic chanson of Jacques Brel. Taking the moment of interpretation as point of depar ture, it is argued that the chans...
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| Format: | Article |
| Language: | English |
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University of Johannesburg
2022-11-01
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| Series: | Communicare |
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| Online Access: | https://journals.uj.ac.za/index.php/jcsa/article/view/1962 |
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| _version_ | 1832593822942494720 |
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| author | Elisabeth Snyman |
| author_facet | Elisabeth Snyman |
| author_sort | Elisabeth Snyman |
| collection | DOAJ |
| description |
The aim of this article, held at a popular culture symposium in honour of the Afrikaans writer Hennie Aucamp, is to define the genre of the chanson with specific reference to the poetic chanson of Jacques Brel. Taking the moment of interpretation as point of depar ture, it is argued that the chanson is an inter disciplinary genre combining specific elements of theatre, poetry and music to com municate not only orally, but also audio-visually with an audience. Findings of the semiotics of theatre are used to demonstrate how the chanson uses more than words to put its message across.
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| format | Article |
| id | doaj-art-57c2544065964066914c7e808f5596b1 |
| institution | Kabale University |
| issn | 0259-0069 2957-7950 |
| language | English |
| publishDate | 2022-11-01 |
| publisher | University of Johannesburg |
| record_format | Article |
| series | Communicare |
| spelling | doaj-art-57c2544065964066914c7e808f5596b12025-01-20T08:47:28ZengUniversity of JohannesburgCommunicare0259-00692957-79502022-11-0114110.36615/jcsa.v14i1.1962'n Genre-omlyning van die chansonElisabeth Snyman0University of Johannesburg The aim of this article, held at a popular culture symposium in honour of the Afrikaans writer Hennie Aucamp, is to define the genre of the chanson with specific reference to the poetic chanson of Jacques Brel. Taking the moment of interpretation as point of depar ture, it is argued that the chanson is an inter disciplinary genre combining specific elements of theatre, poetry and music to com municate not only orally, but also audio-visually with an audience. Findings of the semiotics of theatre are used to demonstrate how the chanson uses more than words to put its message across. https://journals.uj.ac.za/index.php/jcsa/article/view/1962Hennie Aucampgenre of the chansonpoetic chanson of Jacques Brelsemiotics of theatre |
| spellingShingle | Elisabeth Snyman 'n Genre-omlyning van die chanson Communicare Hennie Aucamp genre of the chanson poetic chanson of Jacques Brel semiotics of theatre |
| title | 'n Genre-omlyning van die chanson |
| title_full | 'n Genre-omlyning van die chanson |
| title_fullStr | 'n Genre-omlyning van die chanson |
| title_full_unstemmed | 'n Genre-omlyning van die chanson |
| title_short | 'n Genre-omlyning van die chanson |
| title_sort | n genre omlyning van die chanson |
| topic | Hennie Aucamp genre of the chanson poetic chanson of Jacques Brel semiotics of theatre |
| url | https://journals.uj.ac.za/index.php/jcsa/article/view/1962 |
| work_keys_str_mv | AT elisabethsnyman ngenreomlyningvandiechanson |