Rhapsodie et métamorphoses de la voix dans The War Plays d’Edward Bond
The War Plays are a trilogy written by Edward Bond and completed in 1985. These plays represent a major aesthetic turning point in his work. They are structured and written with what the French critic Jean-Pierre Sarrazac calls a “rhapsodic” dynamic: questioning all the main elements that make a pla...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2013-06-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/2930 |
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| _version_ | 1832578538654400512 |
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| author | Eléonore Obis |
| author_facet | Eléonore Obis |
| author_sort | Eléonore Obis |
| collection | DOAJ |
| description | The War Plays are a trilogy written by Edward Bond and completed in 1985. These plays represent a major aesthetic turning point in his work. They are structured and written with what the French critic Jean-Pierre Sarrazac calls a “rhapsodic” dynamic: questioning all the main elements that make a play, the trilogy calls theatre into question. Bond’s strategy is, among others, to try to redefine the concept of character, and hence question the origin and authority of the voice. The changing voices of The War Plays are a sign of the major metamorphoses Bond’s theatre underwent at the end of the 80s. |
| format | Article |
| id | doaj-art-55d918efad8649e5a1f7c5b1f21c13c1 |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2013-06-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-55d918efad8649e5a1f7c5b1f21c13c12025-01-30T13:46:47ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022013-06-011610.4000/sillagescritiques.2930Rhapsodie et métamorphoses de la voix dans The War Plays d’Edward BondEléonore ObisThe War Plays are a trilogy written by Edward Bond and completed in 1985. These plays represent a major aesthetic turning point in his work. They are structured and written with what the French critic Jean-Pierre Sarrazac calls a “rhapsodic” dynamic: questioning all the main elements that make a play, the trilogy calls theatre into question. Bond’s strategy is, among others, to try to redefine the concept of character, and hence question the origin and authority of the voice. The changing voices of The War Plays are a sign of the major metamorphoses Bond’s theatre underwent at the end of the 80s.https://journals.openedition.org/sillagescritiques/2930voiceEdward BondWar PlaysrhapsodySarrazacchorus |
| spellingShingle | Eléonore Obis Rhapsodie et métamorphoses de la voix dans The War Plays d’Edward Bond Sillages Critiques voice Edward Bond War Plays rhapsody Sarrazac chorus |
| title | Rhapsodie et métamorphoses de la voix dans The War Plays d’Edward Bond |
| title_full | Rhapsodie et métamorphoses de la voix dans The War Plays d’Edward Bond |
| title_fullStr | Rhapsodie et métamorphoses de la voix dans The War Plays d’Edward Bond |
| title_full_unstemmed | Rhapsodie et métamorphoses de la voix dans The War Plays d’Edward Bond |
| title_short | Rhapsodie et métamorphoses de la voix dans The War Plays d’Edward Bond |
| title_sort | rhapsodie et metamorphoses de la voix dans the war plays d edward bond |
| topic | voice Edward Bond War Plays rhapsody Sarrazac chorus |
| url | https://journals.openedition.org/sillagescritiques/2930 |
| work_keys_str_mv | AT eleonoreobis rhapsodieetmetamorphosesdelavoixdansthewarplaysdedwardbond |