Social Undertones in William Robinson’s Crusade Against ‘Architects’ Gardens’: a ‘Costly Ugliness to Our Beautiful Home-landscapes’ (Robinson 1892, XIII)

William Robinson (1838–1935) was an influential Irish gardener and journalist who came to be known as the main instigator of the English flower garden and cottage aesthetics that emerged in the latter part of the nineteenth century. His adamant rejection of artificial forms and colours in gardens ca...

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Main Author: Aurélien Wasilewski
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2019-06-01
Series:Cahiers Victoriens et Edouardiens
Subjects:
Online Access:https://journals.openedition.org/cve/5214
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author Aurélien Wasilewski
author_facet Aurélien Wasilewski
author_sort Aurélien Wasilewski
collection DOAJ
description William Robinson (1838–1935) was an influential Irish gardener and journalist who came to be known as the main instigator of the English flower garden and cottage aesthetics that emerged in the latter part of the nineteenth century. His adamant rejection of artificial forms and colours in gardens came as a blow to the fashionable high-Victorian gardening style in which straight lines and geometrical patterns dominated in the form of topiary art, unvaried masses of colours, and flat land terracing. This paper purports to analyse, mainly through a corpus of Robinson’s newspaper articles, the socio-economic implications of his aesthetic choices. It seems that his rejection of artificiality and laudation of a more natural style of gardening was indeed a way of promoting the socio-professional figure of the gardener at the expense of the architect. By putting the plants’ needs and forms at the core of his definition of beauty, thus making horticultural knowledge the prerequisite to garden creation, he endeavoured to oust architects from the landscape profession. This natural aesthetics also theoretically entailed less care and fewer costs, which appealed to aspiring Victorian middle-classes who could acquire and share horticultural knowledge in the columns of Robinson’s popular gardening magazines. The community of gardeners gathered in those pages reflected a larger Weltanschauung in which the figure of the gardener embodied the possibility of harmonious coexistence and symbiosis between Victorians and Nature.
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spelling doaj-art-55cb9b43572d4d0982c2a318af19398c2025-01-30T10:22:21ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492019-06-018910.4000/cve.5214Social Undertones in William Robinson’s Crusade Against ‘Architects’ Gardens’: a ‘Costly Ugliness to Our Beautiful Home-landscapes’ (Robinson 1892, XIII)Aurélien WasilewskiWilliam Robinson (1838–1935) was an influential Irish gardener and journalist who came to be known as the main instigator of the English flower garden and cottage aesthetics that emerged in the latter part of the nineteenth century. His adamant rejection of artificial forms and colours in gardens came as a blow to the fashionable high-Victorian gardening style in which straight lines and geometrical patterns dominated in the form of topiary art, unvaried masses of colours, and flat land terracing. This paper purports to analyse, mainly through a corpus of Robinson’s newspaper articles, the socio-economic implications of his aesthetic choices. It seems that his rejection of artificiality and laudation of a more natural style of gardening was indeed a way of promoting the socio-professional figure of the gardener at the expense of the architect. By putting the plants’ needs and forms at the core of his definition of beauty, thus making horticultural knowledge the prerequisite to garden creation, he endeavoured to oust architects from the landscape profession. This natural aesthetics also theoretically entailed less care and fewer costs, which appealed to aspiring Victorian middle-classes who could acquire and share horticultural knowledge in the columns of Robinson’s popular gardening magazines. The community of gardeners gathered in those pages reflected a larger Weltanschauung in which the figure of the gardener embodied the possibility of harmonious coexistence and symbiosis between Victorians and Nature.https://journals.openedition.org/cve/5214Robinson (William1838-1935)wild gardengardeninglandscape architectgardening press
spellingShingle Aurélien Wasilewski
Social Undertones in William Robinson’s Crusade Against ‘Architects’ Gardens’: a ‘Costly Ugliness to Our Beautiful Home-landscapes’ (Robinson 1892, XIII)
Cahiers Victoriens et Edouardiens
Robinson (William
1838-1935)
wild garden
gardening
landscape architect
gardening press
title Social Undertones in William Robinson’s Crusade Against ‘Architects’ Gardens’: a ‘Costly Ugliness to Our Beautiful Home-landscapes’ (Robinson 1892, XIII)
title_full Social Undertones in William Robinson’s Crusade Against ‘Architects’ Gardens’: a ‘Costly Ugliness to Our Beautiful Home-landscapes’ (Robinson 1892, XIII)
title_fullStr Social Undertones in William Robinson’s Crusade Against ‘Architects’ Gardens’: a ‘Costly Ugliness to Our Beautiful Home-landscapes’ (Robinson 1892, XIII)
title_full_unstemmed Social Undertones in William Robinson’s Crusade Against ‘Architects’ Gardens’: a ‘Costly Ugliness to Our Beautiful Home-landscapes’ (Robinson 1892, XIII)
title_short Social Undertones in William Robinson’s Crusade Against ‘Architects’ Gardens’: a ‘Costly Ugliness to Our Beautiful Home-landscapes’ (Robinson 1892, XIII)
title_sort social undertones in william robinson s crusade against architects gardens a costly ugliness to our beautiful home landscapes robinson 1892 xiii
topic Robinson (William
1838-1935)
wild garden
gardening
landscape architect
gardening press
url https://journals.openedition.org/cve/5214
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