Sankofa (Haile Gerima, 1993) : la mémoire de l’esclavage dans la conscience diasporique

Sankofa is the eighth film made by Ethiopian director Haile Gerima, who has been living in exile in the United States since 1967. Based on an original script, written by the filmmaker himself, Sankofa is a slave narrative which, however, has no historical value since it was developed through creativ...

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Main Author: Delphine Letort
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2013-04-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/6058
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author Delphine Letort
author_facet Delphine Letort
author_sort Delphine Letort
collection DOAJ
description Sankofa is the eighth film made by Ethiopian director Haile Gerima, who has been living in exile in the United States since 1967. Based on an original script, written by the filmmaker himself, Sankofa is a slave narrative which, however, has no historical value since it was developed through creative writing. Gerima pays little attention to historical details as he retraces the time journey of a young African-American woman, Mona, into the past of slavery during a visit of Cape Coast Castle. Between present-day Ghana and the American plantation of the past, the filmmaker overcomes the time and space gap to develop diasporic consciousness. Sankofa promotes an Afrocentric discourse on the memory of slavery, which we will examine through a detailed study of its representation of the past and of the construction of the female black body on screen.
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institution Kabale University
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publisher Association Française d'Etudes Américaines
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series Transatlantica
spelling doaj-art-54a1a76795ae43de875497405d18ac382025-01-30T10:47:42ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662013-04-01210.4000/transatlantica.6058Sankofa (Haile Gerima, 1993) : la mémoire de l’esclavage dans la conscience diasporiqueDelphine LetortSankofa is the eighth film made by Ethiopian director Haile Gerima, who has been living in exile in the United States since 1967. Based on an original script, written by the filmmaker himself, Sankofa is a slave narrative which, however, has no historical value since it was developed through creative writing. Gerima pays little attention to historical details as he retraces the time journey of a young African-American woman, Mona, into the past of slavery during a visit of Cape Coast Castle. Between present-day Ghana and the American plantation of the past, the filmmaker overcomes the time and space gap to develop diasporic consciousness. Sankofa promotes an Afrocentric discourse on the memory of slavery, which we will examine through a detailed study of its representation of the past and of the construction of the female black body on screen.https://journals.openedition.org/transatlantica/6058slaverymemoryAmerican cinemaafrocentrismDiaspora
spellingShingle Delphine Letort
Sankofa (Haile Gerima, 1993) : la mémoire de l’esclavage dans la conscience diasporique
Transatlantica
slavery
memory
American cinema
afrocentrism
Diaspora
title Sankofa (Haile Gerima, 1993) : la mémoire de l’esclavage dans la conscience diasporique
title_full Sankofa (Haile Gerima, 1993) : la mémoire de l’esclavage dans la conscience diasporique
title_fullStr Sankofa (Haile Gerima, 1993) : la mémoire de l’esclavage dans la conscience diasporique
title_full_unstemmed Sankofa (Haile Gerima, 1993) : la mémoire de l’esclavage dans la conscience diasporique
title_short Sankofa (Haile Gerima, 1993) : la mémoire de l’esclavage dans la conscience diasporique
title_sort sankofa haile gerima 1993 la memoire de l esclavage dans la conscience diasporique
topic slavery
memory
American cinema
afrocentrism
Diaspora
url https://journals.openedition.org/transatlantica/6058
work_keys_str_mv AT delphineletort sankofahailegerima1993lamemoiredelesclavagedanslaconsciencediasporique