Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia

This paper explores the presence of King David in the daily life and imaginary world of Latin medieval clergy, focusing on the Psaltery and those musical items (antiphons, sequences, tropes) newly inspired in David's biography as recorded in the Old Testament. Although referring both to pre-Car...

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Main Author: Manuel Pedro Ferreira
Format: Article
Language:deu
Published: Instituto de Estudos Medievais 2010-12-01
Series:Medievalista
Online Access:https://journals.openedition.org/medievalista/472
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author Manuel Pedro Ferreira
author_facet Manuel Pedro Ferreira
author_sort Manuel Pedro Ferreira
collection DOAJ
description This paper explores the presence of King David in the daily life and imaginary world of Latin medieval clergy, focusing on the Psaltery and those musical items (antiphons, sequences, tropes) newly inspired in David's biography as recorded in the Old Testament. Although referring both to pre-Carolingian mentality and to 16th-century humanism as mirrored in contemporary polyphony, it takes as its main object the liturgical repertory in existence around the 11th century. In so doing, it puts into evidence the tension between an expansive, emotional musical aesthetics (mainly associated to Cluny and the Aquitanian and Aquitanian-derived traditions) and the patristic puritanism revived by the Cistercians in the 12th century. Among those texts translated here into Portuguese for the first time, passages from 12th-century authors John of Salisbury, Hugh of Fouilloy and Aelred of Rievaulx are particularly telling.
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institution Kabale University
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publisher Instituto de Estudos Medievais
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spelling doaj-art-548b3311ec494412bfac41a213d138362025-01-30T10:52:26ZdeuInstituto de Estudos MedievaisMedievalista1646-740X2010-12-01810.4000/medievalista.472Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngiaManuel Pedro FerreiraThis paper explores the presence of King David in the daily life and imaginary world of Latin medieval clergy, focusing on the Psaltery and those musical items (antiphons, sequences, tropes) newly inspired in David's biography as recorded in the Old Testament. Although referring both to pre-Carolingian mentality and to 16th-century humanism as mirrored in contemporary polyphony, it takes as its main object the liturgical repertory in existence around the 11th century. In so doing, it puts into evidence the tension between an expansive, emotional musical aesthetics (mainly associated to Cluny and the Aquitanian and Aquitanian-derived traditions) and the patristic puritanism revived by the Cistercians in the 12th century. Among those texts translated here into Portuguese for the first time, passages from 12th-century authors John of Salisbury, Hugh of Fouilloy and Aelred of Rievaulx are particularly telling.https://journals.openedition.org/medievalista/472
spellingShingle Manuel Pedro Ferreira
Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia
Medievalista
title Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia
title_full Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia
title_fullStr Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia
title_full_unstemmed Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia
title_short Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia
title_sort recordando o rei david vivencia coral e criatividade musical na europa pos carolingia
url https://journals.openedition.org/medievalista/472
work_keys_str_mv AT manuelpedroferreira recordandooreidavidvivenciacoralecriatividademusicalnaeuropaposcarolingia