Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia
This paper explores the presence of King David in the daily life and imaginary world of Latin medieval clergy, focusing on the Psaltery and those musical items (antiphons, sequences, tropes) newly inspired in David's biography as recorded in the Old Testament. Although referring both to pre-Car...
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Format: | Article |
Language: | deu |
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Instituto de Estudos Medievais
2010-12-01
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Series: | Medievalista |
Online Access: | https://journals.openedition.org/medievalista/472 |
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author | Manuel Pedro Ferreira |
author_facet | Manuel Pedro Ferreira |
author_sort | Manuel Pedro Ferreira |
collection | DOAJ |
description | This paper explores the presence of King David in the daily life and imaginary world of Latin medieval clergy, focusing on the Psaltery and those musical items (antiphons, sequences, tropes) newly inspired in David's biography as recorded in the Old Testament. Although referring both to pre-Carolingian mentality and to 16th-century humanism as mirrored in contemporary polyphony, it takes as its main object the liturgical repertory in existence around the 11th century. In so doing, it puts into evidence the tension between an expansive, emotional musical aesthetics (mainly associated to Cluny and the Aquitanian and Aquitanian-derived traditions) and the patristic puritanism revived by the Cistercians in the 12th century. Among those texts translated here into Portuguese for the first time, passages from 12th-century authors John of Salisbury, Hugh of Fouilloy and Aelred of Rievaulx are particularly telling. |
format | Article |
id | doaj-art-548b3311ec494412bfac41a213d13836 |
institution | Kabale University |
issn | 1646-740X |
language | deu |
publishDate | 2010-12-01 |
publisher | Instituto de Estudos Medievais |
record_format | Article |
series | Medievalista |
spelling | doaj-art-548b3311ec494412bfac41a213d138362025-01-30T10:52:26ZdeuInstituto de Estudos MedievaisMedievalista1646-740X2010-12-01810.4000/medievalista.472Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngiaManuel Pedro FerreiraThis paper explores the presence of King David in the daily life and imaginary world of Latin medieval clergy, focusing on the Psaltery and those musical items (antiphons, sequences, tropes) newly inspired in David's biography as recorded in the Old Testament. Although referring both to pre-Carolingian mentality and to 16th-century humanism as mirrored in contemporary polyphony, it takes as its main object the liturgical repertory in existence around the 11th century. In so doing, it puts into evidence the tension between an expansive, emotional musical aesthetics (mainly associated to Cluny and the Aquitanian and Aquitanian-derived traditions) and the patristic puritanism revived by the Cistercians in the 12th century. Among those texts translated here into Portuguese for the first time, passages from 12th-century authors John of Salisbury, Hugh of Fouilloy and Aelred of Rievaulx are particularly telling.https://journals.openedition.org/medievalista/472 |
spellingShingle | Manuel Pedro Ferreira Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia Medievalista |
title | Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia |
title_full | Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia |
title_fullStr | Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia |
title_full_unstemmed | Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia |
title_short | Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia |
title_sort | recordando o rei david vivencia coral e criatividade musical na europa pos carolingia |
url | https://journals.openedition.org/medievalista/472 |
work_keys_str_mv | AT manuelpedroferreira recordandooreidavidvivenciacoralecriatividademusicalnaeuropaposcarolingia |