Ceci n’est pas le territoire: Transcending the Visual and Literary Frame

This article explores the concept of frame theory and its relevance in understanding works of literature and art which feature devices traditionally associated with metafiction but which paradoxically avoid purely self-referential modes. By highlighting their aesthetic frames, these works invite aud...

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Main Author: Dane Coult
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2023-11-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/15109
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author Dane Coult
author_facet Dane Coult
author_sort Dane Coult
collection DOAJ
description This article explores the concept of frame theory and its relevance in understanding works of literature and art which feature devices traditionally associated with metafiction but which paradoxically avoid purely self-referential modes. By highlighting their aesthetic frames, these works invite audiences to engage in an artistic exchange that collapses the critical distance often associated with conceptual art in favor of a more immersive experience with the work, the artist, or the reality beyond the frame. A new term derived from ongoing research in frame theory, “frame transcendence,” provides a more satisfactory categorization of such works which historically have been incorporated into the realm of “meta-art”. By examining the work of David Foster Wallace and select works in the visual arts previously labeled as “metapainting,” the article seeks to demonstrate that this new categorization resolves critical problems that result when art simultaneously draws attention to its frame and to the authenticity of experience.
format Article
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institution Kabale University
issn 1272-3819
1969-6302
language English
publishDate 2023-11-01
publisher Centre de Recherche "Texte et Critique de Texte"
record_format Article
series Sillages Critiques
spelling doaj-art-53c6f3b4580749bc8e283643987260972025-01-30T13:47:49ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022023-11-013510.4000/sillagescritiques.15109Ceci n’est pas le territoire: Transcending the Visual and Literary FrameDane CoultThis article explores the concept of frame theory and its relevance in understanding works of literature and art which feature devices traditionally associated with metafiction but which paradoxically avoid purely self-referential modes. By highlighting their aesthetic frames, these works invite audiences to engage in an artistic exchange that collapses the critical distance often associated with conceptual art in favor of a more immersive experience with the work, the artist, or the reality beyond the frame. A new term derived from ongoing research in frame theory, “frame transcendence,” provides a more satisfactory categorization of such works which historically have been incorporated into the realm of “meta-art”. By examining the work of David Foster Wallace and select works in the visual arts previously labeled as “metapainting,” the article seeks to demonstrate that this new categorization resolves critical problems that result when art simultaneously draws attention to its frame and to the authenticity of experience.https://journals.openedition.org/sillagescritiques/15109mimesismetafictionpostmodernismframe theorymetapaintingWallace (David Foster)
spellingShingle Dane Coult
Ceci n’est pas le territoire: Transcending the Visual and Literary Frame
Sillages Critiques
mimesis
metafiction
postmodernism
frame theory
metapainting
Wallace (David Foster)
title Ceci n’est pas le territoire: Transcending the Visual and Literary Frame
title_full Ceci n’est pas le territoire: Transcending the Visual and Literary Frame
title_fullStr Ceci n’est pas le territoire: Transcending the Visual and Literary Frame
title_full_unstemmed Ceci n’est pas le territoire: Transcending the Visual and Literary Frame
title_short Ceci n’est pas le territoire: Transcending the Visual and Literary Frame
title_sort ceci n est pas le territoire transcending the visual and literary frame
topic mimesis
metafiction
postmodernism
frame theory
metapainting
Wallace (David Foster)
url https://journals.openedition.org/sillagescritiques/15109
work_keys_str_mv AT danecoult cecinestpasleterritoiretranscendingthevisualandliteraryframe