Substitution for Substitution in Measure for Measure

Is Measure for Measure “Shakespeare’s play on law”, as it is often asserted?  Law appears together with religion and politics as one combined powerful normative order. The judge’s power is shaped, not in terms of the adversarial trial of the common law, but in those of the continental inquisitorial...

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Main Authors: Anton Schütz, Chantal Schütz
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2013-01-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/2663
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author Anton Schütz
Chantal Schütz
author_facet Anton Schütz
Chantal Schütz
author_sort Anton Schütz
collection DOAJ
description Is Measure for Measure “Shakespeare’s play on law”, as it is often asserted?  Law appears together with religion and politics as one combined powerful normative order. The judge’s power is shaped, not in terms of the adversarial trial of the common law, but in those of the continental inquisitorial one. At the heart of the play we find, this too has frequently been pointed out, the theme of substitution: Angelo substitutes for the Duke, Mariana for Isabella, Ragozine’s head for Claudio’s, the friar for the Duke, the Duke for the friar. Angelo’s jurisdiction provides a specific rule with total and immediate application, substituting for its previous long-term abeyance under the Duke’s. Is Shakespeare’s Angelo also, and perhaps primarily, a substitute for the holder of the absolute and yet ordinate power ascribed to God by another friar, John Duns Scotus (1265-1308), in whose theology the angels play such an important role, and of whose doctrine we know that it was to flourish in England for many centuries to come?
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1969-6302
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spelling doaj-art-520265ae7e544876bccf6cb3ab64ebdd2025-01-30T13:46:41ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022013-01-011510.4000/sillagescritiques.2663Substitution for Substitution in Measure for MeasureAnton SchützChantal SchützIs Measure for Measure “Shakespeare’s play on law”, as it is often asserted?  Law appears together with religion and politics as one combined powerful normative order. The judge’s power is shaped, not in terms of the adversarial trial of the common law, but in those of the continental inquisitorial one. At the heart of the play we find, this too has frequently been pointed out, the theme of substitution: Angelo substitutes for the Duke, Mariana for Isabella, Ragozine’s head for Claudio’s, the friar for the Duke, the Duke for the friar. Angelo’s jurisdiction provides a specific rule with total and immediate application, substituting for its previous long-term abeyance under the Duke’s. Is Shakespeare’s Angelo also, and perhaps primarily, a substitute for the holder of the absolute and yet ordinate power ascribed to God by another friar, John Duns Scotus (1265-1308), in whose theology the angels play such an important role, and of whose doctrine we know that it was to flourish in England for many centuries to come?https://journals.openedition.org/sillagescritiques/2663Shakespearelawabsolutismlex talionisdukeangel
spellingShingle Anton Schütz
Chantal Schütz
Substitution for Substitution in Measure for Measure
Sillages Critiques
Shakespeare
law
absolutism
lex talionis
duke
angel
title Substitution for Substitution in Measure for Measure
title_full Substitution for Substitution in Measure for Measure
title_fullStr Substitution for Substitution in Measure for Measure
title_full_unstemmed Substitution for Substitution in Measure for Measure
title_short Substitution for Substitution in Measure for Measure
title_sort substitution for substitution in measure for measure
topic Shakespeare
law
absolutism
lex talionis
duke
angel
url https://journals.openedition.org/sillagescritiques/2663
work_keys_str_mv AT antonschutz substitutionforsubstitutioninmeasureformeasure
AT chantalschutz substitutionforsubstitutioninmeasureformeasure