A Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique
This work presents the characterization of the pigments in the painting by Prayat Pongdam, one of the most essential artists in the history of Thai contemporary art. The painting that was studied is named “Cats and Birds (1957),” oil on board, from the collection of a private collector. XRF measurem...
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Association CeROArt
2024-10-01
|
| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ceroart/8719 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832578060484870144 |
|---|---|
| author | Nawarat Kaew-On Supapit Kongchan |
| author_facet | Nawarat Kaew-On Supapit Kongchan |
| author_sort | Nawarat Kaew-On |
| collection | DOAJ |
| description | This work presents the characterization of the pigments in the painting by Prayat Pongdam, one of the most essential artists in the history of Thai contemporary art. The painting that was studied is named “Cats and Birds (1957),” oil on board, from the collection of a private collector. XRF measurements were carried out utilizing a portable system and mapping scanning. XRF revealed substantial information about the pigments in the painting and the artist’s technique. Lead white (Pb) was presented in or near the ground layer. A mixture of barium (Ba) and titanium (Ti) was applied in almost all areas but less in the blue areas, presumably because these two pigments were used on top of the ground layer. Zinc (Zn) white was mixed with the cerulean blue (Co, Sn) for the blue regions. Chromium-based green (Cr) and red ochre (Fe) were in the palette in green and red areas, respectively. A layer of gold was applied to some areas, assuming the artist wanted to make it a highlight. Metallic pigments containing copper (Cu) were also revealed. |
| format | Article |
| id | doaj-art-51f2cd604382446bb1a68b789fedea28 |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2024-10-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-51f2cd604382446bb1a68b789fedea282025-01-30T14:14:37ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922024-10-011310.4000/12lddA Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning TechniqueNawarat Kaew-OnSupapit KongchanThis work presents the characterization of the pigments in the painting by Prayat Pongdam, one of the most essential artists in the history of Thai contemporary art. The painting that was studied is named “Cats and Birds (1957),” oil on board, from the collection of a private collector. XRF measurements were carried out utilizing a portable system and mapping scanning. XRF revealed substantial information about the pigments in the painting and the artist’s technique. Lead white (Pb) was presented in or near the ground layer. A mixture of barium (Ba) and titanium (Ti) was applied in almost all areas but less in the blue areas, presumably because these two pigments were used on top of the ground layer. Zinc (Zn) white was mixed with the cerulean blue (Co, Sn) for the blue regions. Chromium-based green (Cr) and red ochre (Fe) were in the palette in green and red areas, respectively. A layer of gold was applied to some areas, assuming the artist wanted to make it a highlight. Metallic pigments containing copper (Cu) were also revealed.https://journals.openedition.org/ceroart/8719pigmentportable micro-XRFmapping scanning XRFThai Contemporary artThai National Artistoil on board painting |
| spellingShingle | Nawarat Kaew-On Supapit Kongchan A Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique CeROArt : Conservation, Exposition, Restauration d'Objets d'Art pigment portable micro-XRF mapping scanning XRF Thai Contemporary art Thai National Artist oil on board painting |
| title | A Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique |
| title_full | A Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique |
| title_fullStr | A Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique |
| title_full_unstemmed | A Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique |
| title_short | A Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique |
| title_sort | study of color palettes and painting techniques of prayat pongdam oil on board painting cats and birds 1957 using micro xrf scanning technique |
| topic | pigment portable micro-XRF mapping scanning XRF Thai Contemporary art Thai National Artist oil on board painting |
| url | https://journals.openedition.org/ceroart/8719 |
| work_keys_str_mv | AT nawaratkaewon astudyofcolorpalettesandpaintingtechniquesofprayatpongdamoilonboardpaintingcatsandbirds1957usingmicroxrfscanningtechnique AT supapitkongchan astudyofcolorpalettesandpaintingtechniquesofprayatpongdamoilonboardpaintingcatsandbirds1957usingmicroxrfscanningtechnique AT nawaratkaewon studyofcolorpalettesandpaintingtechniquesofprayatpongdamoilonboardpaintingcatsandbirds1957usingmicroxrfscanningtechnique AT supapitkongchan studyofcolorpalettesandpaintingtechniquesofprayatpongdamoilonboardpaintingcatsandbirds1957usingmicroxrfscanningtechnique |