Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937)
The reliefs decorating the propylaea of the Soviet pavilion at the 1937 Exposition Internationale in Paris were recently rediscovered on French soil, along with their sculptor, Iosif Chaykov (1888-1979). The study of Chaykov’s oeuvre raises the question of the relationship between art and ideology,...
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| Language: | fra |
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École du Louvre
2012-09-01
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| Series: | Les Cahiers de l'École du Louvre |
| Online Access: | https://journals.openedition.org/cel/661 |
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| author | Marie Vacher |
| author_facet | Marie Vacher |
| author_sort | Marie Vacher |
| collection | DOAJ |
| description | The reliefs decorating the propylaea of the Soviet pavilion at the 1937 Exposition Internationale in Paris were recently rediscovered on French soil, along with their sculptor, Iosif Chaykov (1888-1979). The study of Chaykov’s oeuvre raises the question of the relationship between art and ideology, while enabling us to grasp the complexity of the Russian avant-garde between about 1910 and 1930, well beyond the usual limits. Making his formal experiments a quest for identity, Chaykov defied classification. With him, La Ruche was no longer that of Chagall and Soutine, but a laboratory for the creation of a “Jewish style in the visual arts”. The Yiddish avant-garde found its place within the Russian avant-garde, and the “super-eclecticism” of Jewish art defined by Abram Efros became the means of attaining the universal. |
| format | Article |
| id | doaj-art-5171cf7ff27d4672ae05205b12bb15b2 |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2012-09-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-5171cf7ff27d4672ae05205b12bb15b22025-01-30T14:00:02ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2012-09-01110.4000/cel.661Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937)Marie VacherThe reliefs decorating the propylaea of the Soviet pavilion at the 1937 Exposition Internationale in Paris were recently rediscovered on French soil, along with their sculptor, Iosif Chaykov (1888-1979). The study of Chaykov’s oeuvre raises the question of the relationship between art and ideology, while enabling us to grasp the complexity of the Russian avant-garde between about 1910 and 1930, well beyond the usual limits. Making his formal experiments a quest for identity, Chaykov defied classification. With him, La Ruche was no longer that of Chagall and Soutine, but a laboratory for the creation of a “Jewish style in the visual arts”. The Yiddish avant-garde found its place within the Russian avant-garde, and the “super-eclecticism” of Jewish art defined by Abram Efros became the means of attaining the universal.https://journals.openedition.org/cel/661 |
| spellingShingle | Marie Vacher Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937) Les Cahiers de l'École du Louvre |
| title | Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937) |
| title_full | Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937) |
| title_fullStr | Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937) |
| title_full_unstemmed | Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937) |
| title_short | Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937) |
| title_sort | joseph moiseevitch tchaikov de la ruche des makhmadim a l ideologie sovietique 1910 1937 |
| url | https://journals.openedition.org/cel/661 |
| work_keys_str_mv | AT marievacher josephmoiseevitchtchaikovdelaruchedesmakhmadimalideologiesovietique19101937 |