Voyager par l’image : la topographie dans la collection de Jehannin de Chamblanc (1722-1797)
In the eighteenth century, engraved topographical views were particularly successful: by providing images of urban areas, they served as a medium for geographical knowledge in the same way as travel literature and cartography. In the second half of the century, the Dijon-born Jehannin de Chamblanc (...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2023-11-01
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| Series: | Les Cahiers de l'École du Louvre |
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| Online Access: | https://journals.openedition.org/cel/28418 |
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| author | Johanna Daniel |
| author_facet | Johanna Daniel |
| author_sort | Johanna Daniel |
| collection | DOAJ |
| description | In the eighteenth century, engraved topographical views were particularly successful: by providing images of urban areas, they served as a medium for geographical knowledge in the same way as travel literature and cartography. In the second half of the century, the Dijon-born Jehannin de Chamblanc (1722–1797) put together a collection of almost 1,400 city views to form a visual inventory of contemporary urban Europe. His portfolios contained images of varying nature and quality, in which the criterion of aesthetic quality does not seem to take precedence. This article examines the collector’s acquisition and organisational strategies, examining the value he placed on these images. |
| format | Article |
| id | doaj-art-510f48bc5e244e98ae68e04178c7efb7 |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2023-11-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-510f48bc5e244e98ae68e04178c7efb72025-01-30T13:59:55ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2023-11-012110.4000/cel.28418Voyager par l’image : la topographie dans la collection de Jehannin de Chamblanc (1722-1797)Johanna DanielIn the eighteenth century, engraved topographical views were particularly successful: by providing images of urban areas, they served as a medium for geographical knowledge in the same way as travel literature and cartography. In the second half of the century, the Dijon-born Jehannin de Chamblanc (1722–1797) put together a collection of almost 1,400 city views to form a visual inventory of contemporary urban Europe. His portfolios contained images of varying nature and quality, in which the criterion of aesthetic quality does not seem to take precedence. This article examines the collector’s acquisition and organisational strategies, examining the value he placed on these images.https://journals.openedition.org/cel/28418eighteenth centurycollectiontopographyurban representationsprintsgeographical knowledge |
| spellingShingle | Johanna Daniel Voyager par l’image : la topographie dans la collection de Jehannin de Chamblanc (1722-1797) Les Cahiers de l'École du Louvre eighteenth century collection topography urban representations prints geographical knowledge |
| title | Voyager par l’image : la topographie dans la collection de Jehannin de Chamblanc (1722-1797) |
| title_full | Voyager par l’image : la topographie dans la collection de Jehannin de Chamblanc (1722-1797) |
| title_fullStr | Voyager par l’image : la topographie dans la collection de Jehannin de Chamblanc (1722-1797) |
| title_full_unstemmed | Voyager par l’image : la topographie dans la collection de Jehannin de Chamblanc (1722-1797) |
| title_short | Voyager par l’image : la topographie dans la collection de Jehannin de Chamblanc (1722-1797) |
| title_sort | voyager par l image la topographie dans la collection de jehannin de chamblanc 1722 1797 |
| topic | eighteenth century collection topography urban representations prints geographical knowledge |
| url | https://journals.openedition.org/cel/28418 |
| work_keys_str_mv | AT johannadaniel voyagerparlimagelatopographiedanslacollectiondejehannindechamblanc17221797 |