Le Krimi sous le Troisième Reich : une invention de l'étranger

This article deals with the specificity of the crime novel under the Third Reich and its relation to the Anglo-American genre, from an economic, ideological and formal perspective. As a marketable commodity, the so-called Krimi was informed by commercial as well as political imperatives. This logic...

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Main Author: Vincent Platini
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2013-01-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/5729
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author Vincent Platini
author_facet Vincent Platini
author_sort Vincent Platini
collection DOAJ
description This article deals with the specificity of the crime novel under the Third Reich and its relation to the Anglo-American genre, from an economic, ideological and formal perspective. As a marketable commodity, the so-called Krimi was informed by commercial as well as political imperatives. This logic granted it a small degree of freedom and placed it in competition with the foreign products that dominated the literary market. However, with the increasing totalitarianism of the regime, translated novels became scarcer and ideological pressures exerted themselves heavily on the Krimi. The crime novel then took on dictatorial forms, reflecting the changed conception of the law in the new Germany and contrasting with the English tradition of the genre. Although Nazi Krimis and American hard-boiled stories converged to a certain extent, the German products differed unmistakably in their opposition to the imagination prevalent in democratic countries. Nevertheless, despite ideological pressures, the Krimi never became entirely subservient to the regime : it continued to harbor foreign influences and, by launching into imaginary exiles, even managed to mock the power of Nazism.
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spelling doaj-art-507b3e8caa79411ab6386887bc5505b32025-01-30T10:45:07ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662013-01-01110.4000/transatlantica.5729Le Krimi sous le Troisième Reich : une invention de l'étrangerVincent PlatiniThis article deals with the specificity of the crime novel under the Third Reich and its relation to the Anglo-American genre, from an economic, ideological and formal perspective. As a marketable commodity, the so-called Krimi was informed by commercial as well as political imperatives. This logic granted it a small degree of freedom and placed it in competition with the foreign products that dominated the literary market. However, with the increasing totalitarianism of the regime, translated novels became scarcer and ideological pressures exerted themselves heavily on the Krimi. The crime novel then took on dictatorial forms, reflecting the changed conception of the law in the new Germany and contrasting with the English tradition of the genre. Although Nazi Krimis and American hard-boiled stories converged to a certain extent, the German products differed unmistakably in their opposition to the imagination prevalent in democratic countries. Nevertheless, despite ideological pressures, the Krimi never became entirely subservient to the regime : it continued to harbor foreign influences and, by launching into imaginary exiles, even managed to mock the power of Nazism.https://journals.openedition.org/transatlantica/5729Third ReichideologyGermanycrime noveleconomic aspectimage studies
spellingShingle Vincent Platini
Le Krimi sous le Troisième Reich : une invention de l'étranger
Transatlantica
Third Reich
ideology
Germany
crime novel
economic aspect
image studies
title Le Krimi sous le Troisième Reich : une invention de l'étranger
title_full Le Krimi sous le Troisième Reich : une invention de l'étranger
title_fullStr Le Krimi sous le Troisième Reich : une invention de l'étranger
title_full_unstemmed Le Krimi sous le Troisième Reich : une invention de l'étranger
title_short Le Krimi sous le Troisième Reich : une invention de l'étranger
title_sort le krimi sous le troisieme reich une invention de l etranger
topic Third Reich
ideology
Germany
crime novel
economic aspect
image studies
url https://journals.openedition.org/transatlantica/5729
work_keys_str_mv AT vincentplatini lekrimisousletroisiemereichuneinventiondeletranger