Rhetorical Mixture: Hermogenes and Hybridity in English Renaissance Literary Criticism

Hermogenes of Tarsus’ innovative stylistic theory is arguably the most neglected, yet most influential rhetorical source of stylistic and generic hybridity in Renaissance England. His treatise On Ideas of Style (Περὶ ἰδεῶν) presented mixture both as a quality of all styles, and also as a core value...

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Main Author: Javiera Lorenzini Raty
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2023-06-01
Series:Sillages Critiques
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Online Access:https://journals.openedition.org/sillagescritiques/14158
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author Javiera Lorenzini Raty
author_facet Javiera Lorenzini Raty
author_sort Javiera Lorenzini Raty
collection DOAJ
description Hermogenes of Tarsus’ innovative stylistic theory is arguably the most neglected, yet most influential rhetorical source of stylistic and generic hybridity in Renaissance England. His treatise On Ideas of Style (Περὶ ἰδεῶν) presented mixture both as a quality of all styles, and also as a core value of dignified styles, encouraging writers to compose hybrid texts and to read the literary tradition with attention to its combination of forms. This article shows the pervasive reception of his theory in vernacular literary criticism composed in England in the sixteenth and early seventeenth centuries, as well as their main continental antecedents. It argues that Hermogenes was both a key and controversial source of the mixed styles of the period – styles that transgressed the boundaries of poetic decorum and which were embodied in emergent hybrid forms such as tragicomedy or epyllion. Through an examination of work by scholars and poets such as George Puttenham, George Chapman, William Scott, and William Carew, this article demonstrates that Hermogenes both shapes and sheds light on these authors’ main discussions on literary hybridity, informing alternative and radical understandings of poetic form.
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spelling doaj-art-502da5c3b98a4898a2242cc8676b1b3c2025-01-30T13:47:47ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022023-06-013410.4000/sillagescritiques.14158Rhetorical Mixture: Hermogenes and Hybridity in English Renaissance Literary CriticismJaviera Lorenzini RatyHermogenes of Tarsus’ innovative stylistic theory is arguably the most neglected, yet most influential rhetorical source of stylistic and generic hybridity in Renaissance England. His treatise On Ideas of Style (Περὶ ἰδεῶν) presented mixture both as a quality of all styles, and also as a core value of dignified styles, encouraging writers to compose hybrid texts and to read the literary tradition with attention to its combination of forms. This article shows the pervasive reception of his theory in vernacular literary criticism composed in England in the sixteenth and early seventeenth centuries, as well as their main continental antecedents. It argues that Hermogenes was both a key and controversial source of the mixed styles of the period – styles that transgressed the boundaries of poetic decorum and which were embodied in emergent hybrid forms such as tragicomedy or epyllion. Through an examination of work by scholars and poets such as George Puttenham, George Chapman, William Scott, and William Carew, this article demonstrates that Hermogenes both shapes and sheds light on these authors’ main discussions on literary hybridity, informing alternative and radical understandings of poetic form.https://journals.openedition.org/sillagescritiques/14158rhetoricliterary criticismmixtureearly modern English literaturePuttenham (George)Chapman (George)
spellingShingle Javiera Lorenzini Raty
Rhetorical Mixture: Hermogenes and Hybridity in English Renaissance Literary Criticism
Sillages Critiques
rhetoric
literary criticism
mixture
early modern English literature
Puttenham (George)
Chapman (George)
title Rhetorical Mixture: Hermogenes and Hybridity in English Renaissance Literary Criticism
title_full Rhetorical Mixture: Hermogenes and Hybridity in English Renaissance Literary Criticism
title_fullStr Rhetorical Mixture: Hermogenes and Hybridity in English Renaissance Literary Criticism
title_full_unstemmed Rhetorical Mixture: Hermogenes and Hybridity in English Renaissance Literary Criticism
title_short Rhetorical Mixture: Hermogenes and Hybridity in English Renaissance Literary Criticism
title_sort rhetorical mixture hermogenes and hybridity in english renaissance literary criticism
topic rhetoric
literary criticism
mixture
early modern English literature
Puttenham (George)
Chapman (George)
url https://journals.openedition.org/sillagescritiques/14158
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