Vignettes of interdisciplinary technical art history investigation
The Foundation of the American Institute for Conservation oral history archive, which began in 1975, contains almost 300 interviews with pioneer conservators, conservation scientists, and art historians. Technical examination and technical art history, as exemplified by Roger H. Marijnissen’s publi...
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Format: | Article |
Language: | English |
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Association CeROArt
2015-04-01
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Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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Online Access: | https://journals.openedition.org/ceroart/4508 |
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author | Joyce Hill Stoner |
author_facet | Joyce Hill Stoner |
author_sort | Joyce Hill Stoner |
collection | DOAJ |
description | The Foundation of the American Institute for Conservation oral history archive, which began in 1975, contains almost 300 interviews with pioneer conservators, conservation scientists, and art historians. Technical examination and technical art history, as exemplified by Roger H. Marijnissen’s publications, has undergone many changes since the 1950s; this article briefly surveys the field, focusing on the examination of easel paintings, with the aid of voices and personal observations from the interviews available in the international oral history archive of the Foundation of the American Institute for Conservation. |
format | Article |
id | doaj-art-4f602ed311164ad5a2d80add3e0febec |
institution | Kabale University |
issn | 1784-5092 |
language | English |
publishDate | 2015-04-01 |
publisher | Association CeROArt |
record_format | Article |
series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
spelling | doaj-art-4f602ed311164ad5a2d80add3e0febec2025-01-30T14:14:15ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922015-04-0110.4000/ceroart.4508Vignettes of interdisciplinary technical art history investigationJoyce Hill StonerThe Foundation of the American Institute for Conservation oral history archive, which began in 1975, contains almost 300 interviews with pioneer conservators, conservation scientists, and art historians. Technical examination and technical art history, as exemplified by Roger H. Marijnissen’s publications, has undergone many changes since the 1950s; this article briefly surveys the field, focusing on the examination of easel paintings, with the aid of voices and personal observations from the interviews available in the international oral history archive of the Foundation of the American Institute for Conservation.https://journals.openedition.org/ceroart/4508x-radiographyTechnical art historyhistory of painting conservationinfra-red reflectographyMichael FaradayGeorge L. Stout |
spellingShingle | Joyce Hill Stoner Vignettes of interdisciplinary technical art history investigation CeROArt : Conservation, Exposition, Restauration d'Objets d'Art x-radiography Technical art history history of painting conservation infra-red reflectography Michael Faraday George L. Stout |
title | Vignettes of interdisciplinary technical art history investigation |
title_full | Vignettes of interdisciplinary technical art history investigation |
title_fullStr | Vignettes of interdisciplinary technical art history investigation |
title_full_unstemmed | Vignettes of interdisciplinary technical art history investigation |
title_short | Vignettes of interdisciplinary technical art history investigation |
title_sort | vignettes of interdisciplinary technical art history investigation |
topic | x-radiography Technical art history history of painting conservation infra-red reflectography Michael Faraday George L. Stout |
url | https://journals.openedition.org/ceroart/4508 |
work_keys_str_mv | AT joycehillstoner vignettesofinterdisciplinarytechnicalarthistoryinvestigation |