Merwin’s Prose Poetry: Collective Memory in Uncanny Short Fiction

In his early collections of short fiction pieces in prose poetry, The Miner’s Pale Children (1970) and Houses and Travellers (1977), W.S. Merwin exposes the discrepancies between the past and the present in the lack of connection between generations, as well as between mankind and nature across time...

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Main Author: Françoise Palleau-Papin
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2024-12-01
Series:Transatlantica
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Online Access:https://journals.openedition.org/transatlantica/23847
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author Françoise Palleau-Papin
author_facet Françoise Palleau-Papin
author_sort Françoise Palleau-Papin
collection DOAJ
description In his early collections of short fiction pieces in prose poetry, The Miner’s Pale Children (1970) and Houses and Travellers (1977), W.S. Merwin exposes the discrepancies between the past and the present in the lack of connection between generations, as well as between mankind and nature across time. His explorations of such disconnections make use of an array of literary means to express the uncanny resurgences of the past as a haunting figure in a collective unconscious, once memory and a sense of inheritance have been lost or damaged. Using syntax and repetition to suggest the repressed in prose poetry, and borrowing from several literary traditions such as a revised allegorical storytelling, Merwin emphasizes the memory loss by giving it a puzzling form. In so doing, he manages to invite readers to connect the pieces of an unsettling world to make sense of the irretrievable, in a joint effort to read the loss as collective rather than personal.
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spelling doaj-art-4d0f61272b5a4a42ad63e67d5efa1e892025-01-30T10:48:25ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662024-12-01210.4000/134goMerwin’s Prose Poetry: Collective Memory in Uncanny Short FictionFrançoise Palleau-PapinIn his early collections of short fiction pieces in prose poetry, The Miner’s Pale Children (1970) and Houses and Travellers (1977), W.S. Merwin exposes the discrepancies between the past and the present in the lack of connection between generations, as well as between mankind and nature across time. His explorations of such disconnections make use of an array of literary means to express the uncanny resurgences of the past as a haunting figure in a collective unconscious, once memory and a sense of inheritance have been lost or damaged. Using syntax and repetition to suggest the repressed in prose poetry, and borrowing from several literary traditions such as a revised allegorical storytelling, Merwin emphasizes the memory loss by giving it a puzzling form. In so doing, he manages to invite readers to connect the pieces of an unsettling world to make sense of the irretrievable, in a joint effort to read the loss as collective rather than personal.https://journals.openedition.org/transatlantica/23847uncannyW.S. Merwinprose poemstransmissionscreen memoryallegory
spellingShingle Françoise Palleau-Papin
Merwin’s Prose Poetry: Collective Memory in Uncanny Short Fiction
Transatlantica
uncanny
W.S. Merwin
prose poems
transmission
screen memory
allegory
title Merwin’s Prose Poetry: Collective Memory in Uncanny Short Fiction
title_full Merwin’s Prose Poetry: Collective Memory in Uncanny Short Fiction
title_fullStr Merwin’s Prose Poetry: Collective Memory in Uncanny Short Fiction
title_full_unstemmed Merwin’s Prose Poetry: Collective Memory in Uncanny Short Fiction
title_short Merwin’s Prose Poetry: Collective Memory in Uncanny Short Fiction
title_sort merwin s prose poetry collective memory in uncanny short fiction
topic uncanny
W.S. Merwin
prose poems
transmission
screen memory
allegory
url https://journals.openedition.org/transatlantica/23847
work_keys_str_mv AT francoisepalleaupapin merwinsprosepoetrycollectivememoryinuncannyshortfiction